Wolfgang Amadeus Mozart, Stepan Turnovsky, Mozart Akademie, Johannes Wildner's 'Bassoon Concerto in B-Flat Major, K. 191: I. Allegro' came out on July 2, 1990. Since Bassoon Concerto in B-Flat Major, K. 191: I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Mozart Akademie's "Mozart: Bassoon Concerto / Oboe Concerto / Clarinet Concerto" album is number 1 out of 9. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Bassoon Concerto in B-Flat Major, K. 191: I. Allegro is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bassoon Concerto in B-Flat Major, K. 191: I. Allegro by Wolfgang Amadeus Mozart, Stepan Turnovsky, Mozart Akademie, Johannes Wildner to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Symphony No. 35 KV385 in DMajor "Haffner": Allegro con spirito | Academy of St. Martin in the Fields, Iona Brown | D Major | 1 | 10B | 79 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: III. Scherzo (Pizzicato ostinato - Allegro) | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 156 BPM | ||
Capriol Suite: 3. Tordion | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Minor | 0 | 6A | 96 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: III. [Allegro] | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 4 | 12B | 151 BPM | ||
Mozart: Sinfonia concertante in E-Flat Major, K. 297b: III. Andantino con variazioni. Var. VI | Wolfgang Amadeus Mozart, Emmanuel Pahud, François Leleux, Gilbert Audin, Radovan Vlatkovic, Orchestre de chambre de Paris | C Major | 0 | 8B | 0 BPM | ||
Mozart: Flute Quartet No. 4 in A Major, K. 298: I. (b) Variation I | Wolfgang Amadeus Mozart, Emmanuel Pahud, Christoph Poppen, Hariolf Schlichtig, Jean-Guihen Queyras | A Major | 1 | 11B | 128 BPM | ||
Kinderszenen, Op.15: 2. Kuriose Geschichte | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 66 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Hungarian Dance No.6 In D Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 153 BPM |
Section: 0.7218375205993652
End: 0.7260551452636719