"Debussy: Images, Livre I, CD 105, L. 110: No. 1, Reflets dans l'eau" by Claude Debussy, Aldo Ciccolini was released on January 1, 1992. With this song being about 5 minutes long, at 5:23, "Debussy: Images, Livre I, CD 105, L. 110: No. 1, Reflets dans l'eau" by Claude Debussy, Aldo Ciccolini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 9 in Debussy: Estampes & Images by Claude Debussy, Aldo Ciccolini. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Debussy: Images, Livre I, CD 105, L. 110: No. 1, Reflets dans l'eau's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Debussy: Images, Livre I, CD 105, L. 110: No. 1, Reflets dans l'eau by Claude Debussy, Aldo Ciccolini is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A minor, Op. 16: II. Adagio | Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 77 BPM | ||
Melody in F Op. 3 No. 1 | Anton Rubinstein, Moura Lympany | F Major | 0 | 7B | 77 BPM | ||
D'un cahier d'esquisses, L.99 | Claude Debussy, Nelson Freire | D♭ Major | 0 | 3B | 68 BPM | ||
Lied opus 34 no.4, transcription Franz Liszt: Suleika | Felix Mendelssohn, Bertrand Chamayou | E Minor | 1 | 9A | 142 BPM | ||
Piano Quartet In E Flat, Op.87, B. 162: 4. Finale: Allegro ma non troppo | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | F♯ Major | 1 | 2B | 93 BPM | ||
Oboe Sonata, FP 185: Deploration: Tres calme | Francis Poulenc, Olivier Doise, Alexandre Tharaud | D Minor | 2 | 7A | 66 BPM | ||
Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio | Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker | E♭ Major | 0 | 5B | 115 BPM | ||
Barber: Piano Sonata Op.26, (i) Allegro Energico | Fiachra Garvey, Samuel Barber | B Major | 1 | 1B | 136 BPM | ||
Saint-Saëns: Mazurka No. 3 in B Minor, Op. 66 | Camille Saint-Saëns, Bertrand Chamayou | A Major | 2 | 11B | 79 BPM | ||
String Quartet in E-Flat Major: I. Adagio ma non troppo | Fanny Mendelssohn, Asasello Quartett | A♭ Major | 1 | 4B | 103 BPM |
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