Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Celestina Casapietra, Horst Hiestermann, Karl-Heinz Stryczek, MDR Leipzig Radio Chorus, Dresdner Kapellknaben, Konrad Wagner, Herbert Kegel made "Carmina Burana: Uf dem anger: Tanz" available on June 16, 2017. With Carmina Burana: Uf dem anger: Tanz being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #6. Based on our statistics, Carmina Burana: Uf dem anger: Tanz's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Carmina Burana: Uf dem anger: Tanz by Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Celestina Casapietra, Horst Hiestermann, Karl-Heinz Stryczek, MDR Leipzig Radio Chorus, Dresdner Kapellknaben, Konrad Wagner, Herbert Kegel having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die sieben Todsünden: V. Unzucht (selbstlose Liebe) - Moderato | Kurt Weill, Gisela May, Peter Schreier, Hans-Joachim Rotzsch, Hermann Christian Polster, Günther Leib, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel | D♭ Major | 3 | 3B | 88 BPM | ||
Trauermusik for Viola and String Orchestra: III. Lebhaft | Paul Hindemith, Davia Binder, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel | F♯ Minor | 1 | 11A | 176 BPM | ||
Lenin: Jetzt weiss ich, dass er gestorben Ist | Hanns Eisler, Rundfunk-Sinfonieorchester Leipzig, Roswitha Trexler, Hermann Hahnel, Adolf Fritz Guhl, MDR Leipzig Radio Chorus | G Major | 4 | 9B | 132 BPM | ||
Tausendundeine Nacht, Op. 346 | Johann Strauss II, Wiener Philharmoniker, Willi Boskovsky | C Major | 1 | 8B | 115 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 74 BPM | ||
Wozzeck, Op. 7: Act III, Scene 5: "Ringel, Ringel, Rosenkranz" | Alban Berg, Norbert Kiese, Monika Vahle, Heidrun Ziehecker, Frank Grundei, Dresdner Kapellknaben, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel | C Major | 0 | 8B | 116 BPM | ||
La pentola magica, P. 129: Finale | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Aida - Ballet Music | Philharmonia Slavonica, Henry Adolph | F Minor | 1 | 4A | 138 BPM | ||
Grieg: Suite No. 2 from Peer Gynt, Op. 55: II. Arabian Dance | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | F Major | 2 | 7B | 129 BPM | ||
The Bartered Bride, JB 1:100: Dance of the Comedians | Bedřich Smetana, Christoph Eschenbach, Wiener Philharmoniker | C Major | 2 | 8B | 75 BPM |
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