"Liederen Op. 7: Irmelin Rose" by Alexander von Zemlinsky, Barbara Hannigan, Reinbert de Leeuw was released on August 24, 2018. The duration of Liederen Op. 7: Irmelin Rose is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Liederen Op. 7: Irmelin Rose's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vienna: Fin de Siècle by Barbara Hannigan, Reinbert de Leeuw. The song's track number on the album is #23 out of 31 tracks. Based on our data, France was the country where this track was produced or recorded. Liederen Op. 7: Irmelin Rose is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Liederen Op. 7: Irmelin Rose by Alexander von Zemlinsky, Barbara Hannigan, Reinbert de Leeuw has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Liederen Op. 7: Irmelin Rose being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Ländliche Tänze, Op. 1: No. 3, Träumerisch | Alexander von Zemlinsky, Emanuele Torquati | E Major | 0 | 12B | 120 BPM | ||
Dispersed And Transcendental Chants, Op. 18: Chant 8. The Word | Julián De La Chica, Briana Hunter, Eric Sedgwick | G Minor | 0 | 6A | 75 BPM | ||
Suite, Op. 56: IV. Rondo. Presto | Rudolf Moser, Sinfonietta Riga, Philippe Bach | D Major | 0 | 10B | 101 BPM | ||
Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | ||
La bonne chanson, Op. 61: No. 2, Puisque l'aube grandit | Gabriel Fauré, Stéphane Degout, Alain Planès | D Major | 2 | 10B | 127 BPM | ||
Shchedrin: Carmen Suite: I. Introduction (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | D♭ Major | 4 | 3B | 154 BPM | ||
A Child of our Time, Part I: How can I cherish my man in such days...? (Soprano) | Michael Tippett, Pumeza Matshikiza, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Fantasien über Gedichte von Richard Dehmel, Op. 9: No. 2, Waldseligkeit | Alexander von Zemlinsky, Emanuele Torquati | B♭ Major | 1 | 6B | 76 BPM |
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