Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar's '21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 13 (orch. Parlow)' came out on June 25, 1988. With 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 13 (orch. Parlow) being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 21 in Brahms: Hungarian Dances Nos. 1-21 by Johannes Brahms, Istvan Bogar. Based on our statistics, 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 13 (orch. Parlow)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 13 (orch. Parlow) by Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
Symphony No. 2 in D Major, Op. 43: III. Vivacissimo - | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | G Major | 1 | 9B | 122 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 12, Catacombae (Sepulcrum romanum) | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | G Major | 1 | 9B | 87 BPM | ||
Die Walkure, Act III: Ride of the Valkyries | Richard Wagner, Budapest Symphony Orchestra, György Lehel | G Major | 2 | 9B | 90 BPM | ||
Concerto for Violin and Strings in E major, Op.8, No.1, RV 269 "La Primavera": 3. Allegro (Danza pastorale) | Antonio Vivaldi, Alan Loveday, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 0 | 12B | 127 BPM | ||
Mazurka No.34 In C Op.56 No.2 | Frédéric Chopin, Vladimir Ashkenazy | G Major | 1 | 9B | 98 BPM | ||
Piano Concerto No. 3 in E-Flat Major, Op. 29: 3. Allegro non troppo | Camille Saint-Saëns, Pascal Rogé, London Philharmonic Orchestra, Charles Dutoit | A♭ Major | 0 | 4B | 72 BPM | ||
Lieder von Clara Schumann, S. 569/R. 257, nos. 8-10: No. 9, Ich hab' in deinem Auge | Franz Liszt, Joseph Banowetz | A♭ Major | 0 | 4B | 65 BPM | ||
Pelléas et Mélisande, Op.80: 6. Molto adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 0 | 7A | 82 BPM |
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