"Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa" by Wolfgang Amadeus Mozart, Caroline Maria Petrig/Christel Borchers/Peter Straka/Mathias Hölle/Philharmonischer Chor München/Münchner Philharmoniker/Sergiù Celibidache, Philharmonischer Chor München, Sergiu Celibidache, Munich Philharmonic Orchestra was released on 2004. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Sergiu Celibidache, Munich Philharmonic Orchestra's "Mozart: Requiem in D Minor" album is number 9 out of 16. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa by Wolfgang Amadeus Mozart, Caroline Maria Petrig/Christel Borchers/Peter Straka/Mathias Hölle/Philharmonischer Chor München/Münchner Philharmoniker/Sergiù Celibidache, Philharmonischer Chor München, Sergiu Celibidache, Munich Philharmonic Orchestra to be Vivace (lively and fast) because the track has a tempo of 168 BPM, a half-time of 84BPM, and a double-time of 336 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem No. 1 in C Minor: Graduale: Requiem aeternam | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | G Minor | 1 | 6A | 111 BPM | ||
Requiem In D Minor, K. 626: Introit: Requiem Aeternam | Slovak Philharmonic, Magdaléna Hajóssyová, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Jozef Kundlák, Peter Mikulas, Jaroslava Horska, Wolfgang Amadeus Mozart | D Minor | 1 | 7A | 74 BPM | ||
Mozart: Requiem in D Minor, K. 626: IX. Domine Jesu Christe | Wolfgang Amadeus Mozart, Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien, Vienna State Opera Chorus, Kurt Equiluz, Ortrun Wenkel, Rachel Yakar, Robert Holl, Nikolaus Harnoncourt, Concentus Musicus Wien | B Major | 1 | 1B | 86 BPM | ||
Requiem in D minor, K.626: 3. Sequentia: Lacrimosa | Wolfgang Amadeus Mozart, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 1 | 10B | 147 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
The Architect | Kerry Muzzey, The Chamber Orchestra Of London, Andrew Skeet | D Minor | 5 | 7A | 128 BPM | ||
Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | E♭ Major | 1 | 5B | 123 BPM | ||
Death Waltz | Adam S Hurst, Adam Hurst | C Minor | 2 | 5A | 98 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Theme - Andante | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Minor | 0 | 6A | 91 BPM | ||
Till Death Do Us Part | Peter Gundry | D♭ Minor | 3 | 12A | 75 BPM |
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