"Requiem in D minor, K.626: 3. Sequentia: Lacrimosa" by Wolfgang Amadeus Mozart, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner was released on January 1, 1987. The duration of Requiem in D minor, K.626: 3. Sequentia: Lacrimosa is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Requiem in D minor, K.626: 3. Sequentia: Lacrimosa's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Barbara Bonney, Anne Sofie von Otter, Hans Peter Blochwitz, Willard White, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's "Mozart: Requiem; Kyrie in D minor" album is number 8 out of 15. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Requiem in D minor, K.626: 3. Sequentia: Lacrimosa's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in D minor, K.626: 3. Sequentia: Lacrimosa by Wolfgang Amadeus Mozart, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 3: Aria - Venite, Inginocchiatevi | Donato Di Stefano, Ingrid Kertesi, Roberto Frontali, Jozsef Mukk, Natale de Carolis, Maria Pia Ionata, Patrizia Pace, Hungarian State Opera Orchestra, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | G Major | 0 | 9B | 65 BPM | ||
Masquerade - Ballet Suite: 1. Waltz | Aram Khachaturian, London Symphony Orchestra, Stanley Black | C Major | 3 | 8B | 100 BPM | ||
Violin Sonata in G Minor, "Devil's Trill": III. Allegro assai | Giuseppe Tartini, Ray Chen | G Minor | 1 | 6A | 75 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | ||
Mozart: Mass No. 16 in C Major, K. 337, "Missa solemnis": III. Credo. Allegro vivace - Andante (Chorus, Soprano, Alto, Tenor, Bass) | Wolfgang Amadeus Mozart, Peter Neumann/Collegium Cartusianum Köln/Kölner Kammerchor/Patrizia Kwella/Ulla Groenewold/Christoph Prégardien/Franz-Josef Selig, Peter Neumann, Collegium Cartusianum | E Minor | 2 | 9A | 117 BPM | ||
Nocturnes, Op. 55: No. 1 in F Minor | Frédéric Chopin, Arthur Rubinstein | F Minor | 0 | 4A | 130 BPM | ||
Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM | ||
La Campanella | Franz Liszt | A♭ Minor | 3 | 1A | 124 BPM | ||
Introduction and Rondo capriccioso in A Minor | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 91 BPM | ||
Swan Lake, Op. 20, TH. 12: Dance of the Four Swans (Arr. Wild for Piano) | Pyotr Ilyich Tchaikovsky, Yuja Wang | B Minor | 1 | 10A | 113 BPM |
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