Sergei Prokofiev, Slovak State Philharmonic Orchestra, Andrew Mogrelia's 'Romeo and Juliet, Op. 64: Dance of the Knights (Montagues and Capulets)' came out on March 22, 2024. Romeo and Juliet, Op. 64: Dance of the Knights (Montagues and Capulets) is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. There are a total of 32 in the song's album "The Essential Slovak State Philharmonic Orchestra". In this album, this song's track order is #24. Furthermore, we believe that the track originated from Hong Kong. The popularity of Romeo and Juliet, Op. 64: Dance of the Knights (Montagues and Capulets) is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Romeo and Juliet, Op. 64: Dance of the Knights (Montagues and Capulets) by Sergei Prokofiev, Slovak State Philharmonic Orchestra, Andrew Mogrelia having a BPM of 177 with a half-time of 88 BPM and a double-time of 354 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
Romeo & Juliet, Op. 64 (Highlights Arr. L. Karlin for Trombone Ensemble): Dance of the Knights | Sergei Prokofiev, Trombone Unit Hannover, Yuval Wolfson, Martin Hennecke, Dominik Minsch, Johann Walter | A Minor | 1 | 8A | 103 BPM | ||
The Flight of the Bumblebee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Finghin Collins | D Minor | 2 | 7A | 92 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra): I. Moderato | RCA Victor Symphony Orchestra & William Steinberg | A Minor | 0 | 8A | 96 BPM | ||
Zigeunerweisen, Op. 20: II. Lento | Pablo de Sarasate, Jascha Heifetz, William Steinberg, RCA Victor Symphony Orchestra | C Minor | 1 | 5A | 101 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM | ||
Peter and the Wolf, Op. 67: IX. The Procession | Sergei Prokofiev, Neeme Järvi, Royal Scottish National Orchestra, Lina Prokofiev, Martin Gibson, Laurence Rogers, Lesley Wilson, John Cushing, Richard Chester | E Minor | 1 | 9A | 129 BPM |
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