"Maria Stuarda: Act II: La perfida insultarmi anche volea (Maria, Cecil)" by Gaetano Donizetti, Laura Polverelli, Maria Pia Piscitelli, Giovanna Lanza, Roberto De Biasio, Simone Alberghini, Mario Cassi, Coro Lirico Marchigiano 'V. Bellini', Marchigiana Philharmonic Orchestra, Riccardo Frizza was released on December 15, 2009. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 37 in Donizetti, G.: Maria Stuarda by Gaetano Donizetti, Riccardo Frizza. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Maria Stuarda: Act II: La perfida insultarmi anche volea (Maria, Cecil)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Maria Stuarda: Act II: La perfida insultarmi anche volea (Maria, Cecil) by Gaetano Donizetti, Laura Polverelli, Maria Pia Piscitelli, Giovanna Lanza, Roberto De Biasio, Simone Alberghini, Mario Cassi, Coro Lirico Marchigiano 'V. Bellini', Marchigiana Philharmonic Orchestra, Riccardo Frizza is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Pasquale, Act I Quinta Scena: Mi volete fiera? (Norina/Malatesta) | Gaetano Donizetti, Leo Nucci/Mirella Freni/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | A♭ Major | 2 | 4B | 130 BPM | ||
Wagner: Tristan und Isolde, Act 3: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Waltraud Meier | G Minor | 2 | 6A | 91 BPM | ||
Puccini: Turandot, Act 1: "Signore ascolta!" (Liù) | Giacomo Puccini, Kiri Te Kanawa, Kent Nagano, Orchestre de l'Opéra de Lyon | D♭ Major | 0 | 3B | 92 BPM | ||
Lucia di Lammermoor / Act 2: "Per te d'immenso giubilo" | Gaetano Donizetti, Ryland Davies, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 3 | 6B | 129 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Mozart: Così fan tutte, K. 588, Act 1: Terzettino. "Soave sia il vento" (Fiordiligi, Dorabella, Don Alfonso) | Wolfgang Amadeus Mozart, Karl Böhm, Christa Ludwig, Elisabeth Schwarzkopf, Heinrich Schmidt, Walter Berry, Philharmonia Orchestra | E Major | 1 | 12B | 124 BPM | ||
I Puritani / Act 1: All'erta! All'erta! L'alba appari | Vincenzo Bellini, Renato Cazzaniga, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | D Major | 2 | 10B | 119 BPM | ||
Mon coeur s'ouvre à ta voix | Camille Saint-Saëns, Christa Ludwig, Giuseppe Patanè | C Major | 1 | 8B | 77 BPM | ||
Les Contes d'Hoffmann, Act II: Les oiseaux dans la charmille (Olympia/Choeurs) | Jacques Offenbach, Luciana Serra, Brussels National Opera Chorus, Orchestre Symphonique de l'Opéra National, Bruxelles, Sylvain Cambreling, Orchestre Symphonique Et Choeurs De L'Opéra National Du Théâtre Royal De La Monnaie (Brüssel) | G Major | 0 | 9B | 179 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 61 BPM |
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