Richard Wagner, Ferdinand Frantz, Gottlob Frick, Horst Wilhelm, Walter Stoll, Benno Kusche, Elisabeth Grümmer, Hanns Pick, Rudolf Schock, Robert Koffmane, Leopold Clam, Anton Metternich, Herold Kraus, Gustav Neidlinger, Marga Höffgen, Gerhard Unger, Manfred Schmidt, Rudolf Kempe, Berliner Philharmoniker made "Die Meistersinger von Nürnberg (1992 Digital Remaster), DRITTER AKT/ACT 3/TROISIEME SCENE, Vierte Szene/Scene 4/Quatrième Scène, Die "selige Morgentraum Deutweise" ...: Selig wie die Sonne (Sachs/Eva/Walther/David/Magdalene)" available on August 9, 2010. Since Die Meistersinger von Nürnberg (1992 Digital Remaster), DRITTER AKT/ACT 3/TROISIEME SCENE, Vierte Szene/Scene 4/Quatrième Scène, Die "selige Morgentraum Deutweise" ...: Selig wie die Sonne (Sachs/Eva/Walther/David/Magdalene) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rudolf Kempe's "Icon: Rudolf Kempe" album is number 10 out of 112. On top of that, United Kingdom appears to be the country where this track was created. Die Meistersinger von Nürnberg (1992 Digital Remaster), DRITTER AKT/ACT 3/TROISIEME SCENE, Vierte Szene/Scene 4/Quatrième Scène, Die "selige Morgentraum Deutweise" ...: Selig wie die Sonne (Sachs/Eva/Walther/David/Magdalene) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Die Meistersinger von Nürnberg (1992 Digital Remaster), DRITTER AKT/ACT 3/TROISIEME SCENE, Vierte Szene/Scene 4/Quatrième Scène, Die "selige Morgentraum Deutweise" ...: Selig wie die Sonne (Sachs/Eva/Walther/David/Magdalene) by Richard Wagner, Ferdinand Frantz, Gottlob Frick, Horst Wilhelm, Walter Stoll, Benno Kusche, Elisabeth Grümmer, Hanns Pick, Rudolf Schock, Robert Koffmane, Leopold Clam, Anton Metternich, Herold Kraus, Gustav Neidlinger, Marga Höffgen, Gerhard Unger, Manfred Schmidt, Rudolf Kempe, Berliner Philharmoniker to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
La Traviata / Act 3: "Ah, Violetta!" - "Voi? Signor?" | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | A Minor | 1 | 8A | 105 BPM | ||
Pomp and Circumstance Marches, Op. 39: March No. 4 in G Major | Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti | G Major | 3 | 9B | 118 BPM | ||
The Crown Of India: March Of The Mogul Emperors | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 4 | 10A | 90 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 95 BPM | ||
Das Liebesverbot, WWV 38, Act I: Act I: Wohlan, so rede! (Friedrich, Isabella) | Richard Wagner, Raimund Grumbach, Marianne Seibel, Hermann Sapell, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Hermann Prey, Wolfgang Fassler, Robert Schunk, Friedrich Lenz, Kieth Engen, Sabine Hass, Pamela Coburn, Alfred Kuhn, Wolfgang Sawallisch | B♭ Major | 3 | 6B | 69 BPM | ||
Scheherazade: Calm - the triumph of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 0 | 9A | 68 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Tannhäuser / Act II: "Gar viel und schön" | Richard Wagner, Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann, Chor der Deutschen Oper Berlin | E Minor | 2 | 9A | 72 BPM |
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