"Necronomicon: III. —" by Tomás Marco, Rafael Galvez, Raul Benavent, Joseph Furio, Joan Castello, Dionisio Villalba, Emma Brodi was released on February 26, 2013. With this song being about 5 minutes long, at 4:32, "Necronomicon: III. —" by Tomás Marco, Rafael Galvez, Raul Benavent, Joseph Furio, Joan Castello, Dionisio Villalba, Emma Brodi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 7 in the song's album "Tomás Marco: Música para voces e instrumentos". In this album, this song's track order is #6. The popularity of Necronomicon: III. — is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Necronomicon: III. — by Tomás Marco, Rafael Galvez, Raul Benavent, Joseph Furio, Joan Castello, Dionisio Villalba, Emma Brodi having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Impromptu for Viola & Piano, Op. 33 | Dmitri Shostakovich, Matthew Lipman, Henry Kramer | A Minor | 0 | 8A | 98 BPM | ||
Ceremonia Barroca: Parte I. Ars Moriendi: Hipógrifo violento | Orquesta y Coro de la Comunidad de Madrid, Tomás Marco, Miguel Groba | D Minor | 0 | 7A | 95 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] | Dietrich Buxtehude, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | A♭ Minor | 3 | 1A | 73 BPM | ||
Pastorale for Violin, Oboe, English Horn, Clarinet and Bassoon | Igor Stravinsky, Isabelle Faust, Les Siècles | F♯ Major | 0 | 2B | 176 BPM | ||
Crisantemi | Giacomo Puccini, Brodsky Quartet | F♯ Minor | 0 | 11A | 70 BPM | ||
Printemps, Op. 18 | Darius Milhaud, Mauro Tortorelli, Angela Meluso | A Major | 1 | 11B | 100 BPM | ||
Cello Suite No. 3, Op. 87: IV. Barcarolla | Benjamin Britten, Anastasia Kobekina | F♯ Major | 2 | 2B | 142 BPM | ||
8 Valses poéticos, H. 136 (Arr. for Cello & Guitar by Anonymous): No. 1, Melodico | Enrique Granados, André Fischer, Sébastien Singer | A Major | 1 | 11B | 108 BPM | ||
The Lark Ascending: III. Allegretto molto tranquillo | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | F Minor | 0 | 4A | 124 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM |
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