Richard Wagner, John Horton Murray, Margaret Jane Wray, Bolshoi Theatre Chorus, Russian State Symphony Orchestra, John McGlinn made "Lohengrin: Ach, konnt ich deiner Wert erscheinen!" available on August 10, 2003. The duration of Lohengrin: Ach, konnt ich deiner Wert erscheinen! is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Lohengrin: Ach, konnt ich deiner Wert erscheinen!'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner, R.: Scenes From Lohengrin and Siegfried by John McGlinn. The song's track number on the album is #6 out of 18 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Lohengrin: Ach, konnt ich deiner Wert erscheinen! is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Lohengrin: Ach, konnt ich deiner Wert erscheinen! by Richard Wagner, John Horton Murray, Margaret Jane Wray, Bolshoi Theatre Chorus, Russian State Symphony Orchestra, John McGlinn has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lohengrin: Ach, konnt ich deiner Wert erscheinen! being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | A Minor | 2 | 8A | 124 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Symphony No. 2 in C Minor, Op. 17 "Little Russian": IV. Finale. Moderato assai - Allegro vivo | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | C Major | 4 | 8B | 87 BPM | ||
Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Vitalij Kowaljow, Ildebrando D'Arcangelo, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin, Vocalensemble Rastatt | C Minor | 2 | 5A | 99 BPM | ||
Götterdämmerung - Concert version / Dritter Aufzug: Finale | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 136 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
Götterdämmerung, WWV 86D / Act 3: Trauermarsch | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | F Minor | 1 | 4A | 128 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM |
Section: 0.7413392066955566
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