"2 Mazurkas de Salon, Op. 10: No. 2, Mazurka" by Eugène Ysaÿe, Philippe Graffin, Marisa Gupta, Jean-Jacques Kantorow, Royal Liverpool Philharmonic Orchestra was released on February 9, 2024. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 7 in the song's album "Rêves - Ysaÿe: Violin Concerto in E Minor, Poème Concertant". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, 2 Mazurkas de Salon, Op. 10: No. 2, Mazurka's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 2 Mazurkas de Salon, Op. 10: No. 2, Mazurka by Eugène Ysaÿe, Philippe Graffin, Marisa Gupta, Jean-Jacques Kantorow, Royal Liverpool Philharmonic Orchestra having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
3 Romances sans paroles, Op. 7: 2. Désespoir | Henri Vieuxtemps, Janine Jansen, Antonio Pappano | A♭ Major | 5 | 4B | 100 BPM | ||
String Quartet, Op. 76, No. 4 in B-Flat Minor, 'Sunrise': I. Allegro con spirito | Joseph Haydn, Matangi Quartet | F Major | 1 | 7B | 136 BPM | ||
Carmen (Bizet) - Fantasie brillante | Jenő Hubay, Gil Shaham, Akira Eguchi | D Major | 2 | 10B | 114 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 16 in G Minor | Niccolò Paganini, Itzhak Perlman | G Minor | 3 | 6A | 82 BPM | ||
Apres un reve, Op. 7, No. 1 (arr. I. Sztankov): 3 Songs, Op. 7: No. 1. Apres un reve (arr. for double bass and piano) | Iván Sztankov, Gabriel Fauré, Erika Tóth | A Minor | 0 | 8A | 82 BPM | ||
Le roi des aulnes, Op. 26 (after Schubert's Erlkonig) | Heinrich Wilhelm Ernst, Josef Spacek | C Major | 3 | 8B | 129 BPM | ||
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
Violin Concerto No. 1 In D, Op. 19: 3. Moderato | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Minor | 1 | 6A | 65 BPM | ||
4 Pieces, Op. 51: 2. Prélude | Alexander Scriabin, Evgeny Kissin | F Major | 0 | 7B | 75 BPM |
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