"O welch eine Tiefe" by Michael Hahn, Hortus Musicus was released on January 1, 1989. With this song being about 5 minutes long, at 5:24, "O welch eine Tiefe" by Michael Hahn, Hortus Musicus is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Hortus Musicus's "Musik över Östersjön" album is number 4 out of 9. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, O welch eine Tiefe is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O welch eine Tiefe by Michael Hahn, Hortus Musicus to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum, K. 141 | Wolfgang Amadeus Mozart, Czech Philharmonic Choir, Brno, Czech Chamber Soloists, Brno, Petr Fiala | C Major | 2 | 8B | 121 BPM | ||
Messe Solennelle, Op. 16 - Sanctus | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | E Major | 2 | 12B | 93 BPM | ||
Sacrum, R.586 - rev. Franz Giegling: 2f Gloria: (Andante) Qui tollis | Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable | C Major | 1 | 8B | 106 BPM | ||
Laudate Pueri: VI. Ut collocet eum | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Te Deum: V. Tu rex gloriae Christe | Giovanni Bononcini, Owen Rees, Rowan Pierce, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Missa brevis in B KV275: Gloria | Wolfgang Amadeus Mozart, Peter Neumann/Kölner Kammerchor/Collegium Cartusianum Köln/Franz-Josef Selig, Collegium Cartusianum | B♭ Major | 2 | 6B | 137 BPM | ||
Biber: Requiem a 15 in A Major: VII. Communio | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 101 BPM | ||
Missa brevis in C Major, K. 259, "Organ solo": Kyrie | Wolfgang Amadeus Mozart, Lothar Stadler, Michael Hahn, Gernot Schimmel, Gernot Reininger, Altenburg Boys Choir, Linz Sinfonietta, Peter Hrncirik | C Major | 1 | 8B | 108 BPM | ||
Serenata Introduzione Tempo di Minuetto | Christian Reichert, Dorothee Birke, Michael Hahn | A Minor | 1 | 8A | 98 BPM | ||
Zwölf Orgelstücke, Op. 4: VIII. Adagio | Johann Gottlob Schneider, Halgeir Schiager | B Minor | 2 | 10A | 128 BPM |
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