"Laudate Pueri: VI. Ut collocet eum" by Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music was released on May 24, 2024. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music's "How Are The Mighty Fallen: Choral Music by Giovanni Bononcini" album is number 20 out of 27. On top of that, United Kingdom appears to be the country where this track was created. Laudate Pueri: VI. Ut collocet eum is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Laudate Pueri: VI. Ut collocet eum by Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere mei Deus | William Byrd, Contrapunctus, Owen Rees | E Minor | 1 | 9A | 76 BPM | ||
Audivi vocem de cælo | William Byrd, Owen Rees, Contrapunctus | B♭ Minor | 1 | 3A | 74 BPM | ||
Behold O God our Defender | Herbert Howells, The Choir of The Queen's College Oxford, Owen Rees | A Major | 2 | 11B | 132 BPM | ||
Daran ist erschienen die Liebe Gottes, TWV 1:165: Chorus: Du heiliges Licht, edler Hort | Georg Philipp Telemann, Stefanie Wüst, Angela Froemer, Georg Poplutz, Jens Hamann, Siegen Collegium Vocale, Hannoversche Hofkapelle, Ulrich Stötzel | F♯ Major | 1 | 2B | 113 BPM | ||
Sacrum, R.586 - rev. Franz Giegling: 3c Credo: (Allegro) Et resurrexit | Antonio Vivaldi, Margaret Marshall, Anne Collins, Anthony Rolfe Johnson, Robert Holl, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable | C Major | 2 | 8B | 84 BPM | ||
Eastertimei Psalm | James Chepponis, St. Mary's Adult Choir, John J. Miller | D Major | 3 | 10B | 84 BPM | ||
Te Deum: VII. Tu ad dexteram Dei sedes | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Buxtehude: In dulci jubilo, BuxWV 52 | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Monika Frimmer, Peter Kooij, Amsterdam Baroque Orchestra | E Major | 0 | 12B | 75 BPM | ||
Te Deum "de Lyon": XI. Te ergo quæsumus famulis tuis subveni | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM |
Section: 0.7178223133087158
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