"Hymn Tune Prelude on Song 13 by Orlando Gibbons (Arr. For string orchestra)" by Ralph Vaughan Williams, London Symphony Orchestra, Richard Hickox was released on January 1, 1999. The duration of Hymn Tune Prelude on Song 13 by Orlando Gibbons (Arr. For string orchestra) is about 3 minutes long, at 3:22. Based on our data, "Hymn Tune Prelude on Song 13 by Orlando Gibbons (Arr. For string orchestra)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vaughan Williams: Valiant for Truth / Symphony No. 5 / The Pilgrim Pavement / Prelude and Fugue by Ralph Vaughan Williams, Richard Hickox. The song's track number on the album is #7 out of 10 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Hymn Tune Prelude on Song 13 by Orlando Gibbons (Arr. For string orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Hymn Tune Prelude on Song 13 by Orlando Gibbons (Arr. For string orchestra) by Ralph Vaughan Williams, London Symphony Orchestra, Richard Hickox has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Hymn Tune Prelude on Song 13 by Orlando Gibbons (Arr. For string orchestra) being at 71 BPM, the half-time would be 36 BPM with a double-time of 142 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Irish Lament | Ernest John Moeran, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 133 BPM | ||
Soliloquy for Oboe and Orchestra (Orch. by Gordon Jacob) | Edward Elgar, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | A Minor | 0 | 8A | 76 BPM | ||
The Music Makers, Op. 69: II. We Are the music makers | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | B♭ Minor | 0 | 3A | 79 BPM | ||
Calme des nuits, Op.68, No.1 | Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner | E Minor | 0 | 9A | 128 BPM | ||
Idyl for Strings - Adagio | Leoš Janáček, Hanspeter Gmür, Camerata Romana | G Major | 1 | 9B | 105 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
A Shropshire Lad | George Butterworth, London Philharmonic Orchestra, Sir Adrian Boult | F Minor | 1 | 4A | 77 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM |
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