"Symphony No. 3 in F Major, Op. 90: I. Allegro con brio - Un poco sostenuto - Tempo I (1)" by Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden was released on March 22, 2021. The duration of Symphony No. 3 in F Major, Op. 90: I. Allegro con brio - Un poco sostenuto - Tempo I (1) is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Symphony No. 3 in F Major, Op. 90: I. Allegro con brio - Un poco sostenuto - Tempo I (1)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 15 in Brahms: Symphony No. 3 by Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Symphony No. 3 in F Major, Op. 90: I. Allegro con brio - Un poco sostenuto - Tempo I (1) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 3 in F Major, Op. 90: I. Allegro con brio - Un poco sostenuto - Tempo I (1) by Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Lieder, Op. 49: No. 4. Wiegenlied (arr. P. Nagy): Cradle Song (trans. P. Nagy) | Péter Nagy, Johannes Brahms | E♭ Major | 0 | 5B | 134 BPM | ||
Symphony No. 40 in G Minor, K. 550: IV. Finale. Allegro assai | Wolfgang Amadeus Mozart, Deutsche Kammerphilharmonie Bremen, Tarmo Peltokoski | G Minor | 2 | 6A | 137 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Die lustigen Weiber von Windsor: Overture | Otto Nicolai, Bavarian Radio Symphony Orchestra, Rafael Kubelík | B Minor | 0 | 10A | 112 BPM | ||
Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Erin Helyard, Australian Haydn Ensemble | F Major | 0 | 7B | 74 BPM | ||
The Seasons, Op. 37a, TH 135: XI. November. Troika | Pyotr Ilyich Tchaikovsky, Sergei Rachmaninoff | G Minor | 1 | 6A | 113 BPM | ||
5 Lieder, Op. 49 (arr. for orchestra): Wiegenlied: Guten Abend, gut Nacht, Op. 49, No. 4 | Anonymous, Johannes Brahms, Slovak Radio Symphony Orchestra, Peter Breiner | E♭ Major | 1 | 5B | 113 BPM | ||
Keyboard Sonata in E-Flat Major, Op. 12 No. 2: III. Rondo. Allegro assai | Muzio Clementi, HyeJin Kim | F Major | 1 | 7B | 112 BPM | ||
Unfinished Accel World | Satoshi Yaginuma, Animenzz | A♭ Major | 4 | 4B | 131 BPM | ||
The Seasons, Op. 37a, TH 135: No. 7, July (The Song of the Reaper) | Pyotr Ilyich Tchaikovsky, Victor Merzhanov | E♭ Major | 2 | 5B | 131 BPM |
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