Johann Sebastian Bach, Julia Cload's 'Goldberg-Variationen, BWV 988: I. Aria' came out on November 23, 2009. With this song being about 5 minutes long, at 4:52, "Goldberg-Variationen, BWV 988: I. Aria" by Johann Sebastian Bach, Julia Cload is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 43 in Bach: Goldberg Variations - Preludes & Fugues, Vol. 1 by Johann Sebastian Bach, Julia Cload. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Goldberg-Variationen, BWV 988: I. Aria's popularity is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Goldberg-Variationen, BWV 988: I. Aria by Johann Sebastian Bach, Julia Cload is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Suite No. 2 in D Minor, BWV 1008: I. Prélude | Johann Sebastian Bach, Yo-Yo Ma | D Minor | 0 | 7A | 124 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Andrei Gavrilov | A♭ Minor | 5 | 1A | 180 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Zhu Xiao-Mei | E Minor | 0 | 9A | 96 BPM | ||
The Hours: Morning Passages (Arr. Michael Riesman) | Philip Glass, Valentina Lisitsa | C Minor | 0 | 5A | 78 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 79 BPM | ||
Menuet en Sol Mineur, Transcription de Wilhem Kempff d’après Le Menuet de la Suite en Si Bémol Majeur No. 1, HWV 434, 1er Cahier | George Frideric Handel, Anne Queffélec | G Minor | 0 | 6A | 69 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 1. [No Tempo Indication] (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Major | 2 | 8B | 91 BPM | ||
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | ||
Fantasia No. 3 in D Minor, K. 397 | Wolfgang Amadeus Mozart, Hélène Grimaud | D Major | 1 | 10B | 85 BPM |
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