Thomas Morley, Amarcord made "I love, alas, I love thee" available on 2006. With I love, alas, I love thee being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "The Book of Madrigals". In this album, this song's track order is #12. The popularity of I love, alas, I love thee is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With I love, alas, I love thee by Thomas Morley, Amarcord having a BPM of 189 with a half-time of 94 BPM and a double-time of 378 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Omnes de Saba venient | Jacobus Gallus, Apollo5 | B♭ Major | 3 | 6B | 142 BPM | ||
Musikalische Exequien, Op. 7, SWV 279-281: II. Motette "Herr, wenn ich nur Dich habe" | Heinrich Schütz, La Chapelle Royale, Philippe Herreweghe | A Minor | 1 | 8A | 62 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
The First Service (Arr. for Choir, Organ & Brass Ensemble): II. Nunc dimittis | Thomas Morley, Croydon Minster Choir Of Whitgift School, The English Cornett and Sackbut Ensemble, Tom Little, Ronny Krippner | B Minor | 1 | 10A | 83 BPM | ||
Galliard | Anon, Trinity Baroque, Steven Player, The Holbein Consort, Julian Podger, The Forbury Consort, Martin Pope, Alan Crumpler | A Major | 1 | 11B | 67 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM | ||
Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
Three Sacred Hymns: III. Vater unser | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | E♭ Major | 1 | 5B | 75 BPM | ||
Requiem: Kyrie | Johannes Ockeghem, Musica Ficta, Bo Holten | G Major | 1 | 9B | 73 BPM | ||
Chanson: Innsbruck, ich muß dich lassen | Heinrich Isaac, Jordi Savall | F Major | 1 | 7B | 132 BPM |
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