"The First Service (Arr. for Choir, Organ & Brass Ensemble): II. Nunc dimittis" by Thomas Morley, Croydon Minster Choir Of Whitgift School, The English Cornett and Sackbut Ensemble, Tom Little, Ronny Krippner was released on May 1, 2017. The duration of The First Service (Arr. for Choir, Organ & Brass Ensemble): II. Nunc dimittis is about 3 minutes long, at 3:06. Based on our data, "The First Service (Arr. for Choir, Organ & Brass Ensemble): II. Nunc dimittis" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "The Tudor Choir Book, Vol. 1". In this album, this song's track order is #8. The First Service (Arr. for Choir, Organ & Brass Ensemble): II. Nunc dimittis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The First Service (Arr. for Choir, Organ & Brass Ensemble): II. Nunc dimittis by Thomas Morley, Croydon Minster Choir Of Whitgift School, The English Cornett and Sackbut Ensemble, Tom Little, Ronny Krippner having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | ||
Susato: 12 Dances from the Danserye: II. Branle Quatre - Bransles | Tylman Susato, Early Music Consort Of London | G Major | 2 | 9B | 64 BPM | ||
Ballet des fous et des estropiés de la cervelle: II. Entrée des demy-fous | Anonymous, Le Poème Harmonique, Vincent Dumestre | G Minor | 3 | 6A | 134 BPM | ||
Weint nicht um meinen Tod | Johann Bach, Vox Luminis, Lionel Meunier | C Minor | 0 | 5A | 67 BPM | ||
Missa Nunca Fue Pena Major: V. Agnus Dei | Francisco de Peñalosa, Concentus Musicus Minnesota, Arthur Maud | A♭ Minor | 2 | 1A | 74 BPM | ||
4 Shakespeare Songs: No. 2. Lullaby | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | F♯ Major | 1 | 2B | 130 BPM | ||
Che farala che dirala | Vincenzo Capirola, Christopher Wilson | F Minor | 0 | 4A | 97 BPM | ||
A lieta vita (Sing and we chant it) | Thomas Morley, The Musicians of Swanne Alley | F♯ Major | 1 | 2B | 103 BPM | ||
Fyer, Fyer! | Thomas Morley, Old Springfield Ensemble | G Major | 0 | 9B | 85 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM |
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