Jean-Philippe Rameau, Grigory Sokolov made "Nouvelles suites de pièces de clavecin / Suite In G Major: 6. Les sauvages - Live" available on September 26, 2020. With Nouvelles suites de pièces de clavecin / Suite In G Major: 6. Les sauvages - Live being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 263 in the song's album "The Power of Rameau". In this album, this song's track order is #13. In terms of popularity, Nouvelles suites de pièces de clavecin / Suite In G Major: 6. Les sauvages - Live is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Nouvelles suites de pièces de clavecin / Suite In G Major: 6. Les sauvages - Live by Jean-Philippe Rameau, Grigory Sokolov having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 1 in C major, BWV 846 | Luc Beauséjour | A♭ Minor | 4 | 1A | 132 BPM | ||
Overture (Suite) in B-Flat Major, TWV 55:B2: Aria IV: Sarabande | Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider | A Major | 1 | 11B | 98 BPM | ||
Concerto a cinque No. 2, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 1 | 11B | 45 BPM | ||
Songs Without Words, Book VI Opus 67: No. 5 in B Minor | Felix Mendelssohn, Bertrand Chamayou | B Minor | 0 | 10A | 64 BPM | ||
Piano Concerto No. 18 in B-Flat Major, K. 456: III. Allegro vivace | Martha Argerich, Bavarian Radio Symphony Orchestra | B♭ Major | 3 | 6B | 156 BPM | ||
Waltz in F Minor, Op. 1 | Alexander Scriabin, Valentina Lisitsa | D♭ Major | 0 | 3B | 71 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
4 Piano Pieces, Op. 119: IV. Rhapsody. Allegro risoluto - Live at Church of San Bernardo, Rabbi / 2019 | Johannes Brahms, Grigory Sokolov | D Minor | 1 | 7A | 80 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM |
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