"Mathis Der Maler, 5h Tableau, Scene 2: Tiefste Scham steigt in mir auf (Ursula/Albrecht)" by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra had its release date on April 1, 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Paul Hindemith, Rafael Kubelik's "Hindemith: Mathis der Maler" album is number 19 out of 61. Mathis Der Maler, 5h Tableau, Scene 2: Tiefste Scham steigt in mir auf (Ursula/Albrecht) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mathis Der Maler, 5h Tableau, Scene 2: Tiefste Scham steigt in mir auf (Ursula/Albrecht) by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Oslo Philharmonic Orchestra, Klaus Mäkelä | C Major | 1 | 8B | 150 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Symphonie "Mathis der Maler": I. Engelkonzert | Paul Hindemith, Berliner Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 106 BPM | ||
Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch | Paul Hindemith, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 77 BPM | ||
Karelia Suite, Op. 11: II. Ballade (Tempo di menuetto) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 0 | 8A | 87 BPM | ||
Symphony No. 5: II. Scherzo. Presto misterioso | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Suite in G Major, P. 58 (Original Version): III. Pastorale: Andante molto sostenuto | Ottorino Respighi, Kyler Brown, Chamber Orchestra of New York, Salvatore Di Vittorio | D Minor | 1 | 7A | 104 BPM | ||
String Quartet No. 1 in G Minor: V. I. Allegro moderato | Ralph Vaughan Williams, Verdi Quartett | G Major | 1 | 9B | 82 BPM | ||
String Quintet In C, D. 956: 4. Allegretto | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | G Major | 1 | 9B | 97 BPM | ||
Viola Sonata, Op. 11, No. 5: I. Lebhaft, aber nicht geeilt | Paul Hindemith, Nobuko Imai | D♭ Major | 1 | 3B | 148 BPM |