"Membra Jesu Nostri, BuxWV 75, Ad manus: Aria "Manus sanctae, vos amplector"" by Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Hanna Bayodi was released on March 29, 2019. With Membra Jesu Nostri, BuxWV 75, Ad manus: Aria "Manus sanctae, vos amplector" being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 50 in Buxtehude: Membra Jesu Nostri by Dietrich Buxtehude, Philippe Pierlot, Ricercar Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Membra Jesu Nostri, BuxWV 75, Ad manus: Aria "Manus sanctae, vos amplector" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Membra Jesu Nostri, BuxWV 75, Ad manus: Aria "Manus sanctae, vos amplector" by Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Hanna Bayodi is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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12 Sonatas and a Pastorale, Op. 1 (1734): No. 6, Violin Sonata in D Major, D, B.D12 / GT 2.D12: III. Larghetto | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM | ||
Beatus vir, ZWV 75: Gloria Patri - After Psalm 111 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 1 | 1A | 103 BPM | ||
Stabat Mater, P. 77: VI. Vidit suum | Giovanni Battista Pergolesi, Shira Patchornik, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Concert LIV: [La] Dubois | Monsieur de Sainte-Colombe, Philippe Pierlot, Lucile Boulanger | B♭ Major | 1 | 6B | 70 BPM | ||
Erbarm dich mein, o Herre Gott, SWV 447 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Yetzabel Arias | G Minor | 2 | 6A | 117 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: IX. Gigue | Dietrich Becker, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | F Minor | 3 | 4A | 81 BPM | ||
Suite En Si Mineur: Menuet, II.92 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | B♭ Minor | 2 | 3A | 81 BPM | ||
Violin Sonata No. 1 in D Minor: V. Presto | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | G Major | 2 | 9B | 73 BPM | ||
Suite En Si Mineur: Allemande, II.86 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | B♭ Minor | 2 | 3A | 146 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): IV. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F♯ Minor | 1 | 11A | 79 BPM |
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