"Crazy for You: They Can't Take That Away From Me - Piano Accompaniment" by George Gershwin, Michael Ierace had its release date on November 15, 2015. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Crazy for You: They Can't Take That Away From Me - Piano Accompaniment's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 19 in AMEB Musical Theatre Grade 2 (Piano Accompaniments) by Michael Ierace. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. Crazy for You: They Can't Take That Away From Me - Piano Accompaniment is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Crazy for You: They Can't Take That Away From Me - Piano Accompaniment by George Gershwin, Michael Ierace is Larghissimo, since this song has a tempo of 0 BPM. With that information, we can conclude that the song has a slow tempo.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 2: IV. Waltz 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | B♭ Major | 2 | 6B | 109 BPM | ||
Scaramouche, Op. 165d (version for clarinet and piano): III. Brazileira | Darius Milhaud, Jean-Marc Fessard, Eliane Reyes | D Minor | 3 | 7A | 138 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Kinderszenen, Op. 15: No. 10 Fast zu ernst | Robert Schumann, Wilhelm Kempff | G Major | 0 | 9B | 69 BPM | ||
Elite Syncopations (arr. I. Perlman for violin and piano) | Itzhak Perlman, Scott Joplin, Matthew Trusler, Wayne Marshall | G Major | 3 | 9B | 100 BPM | ||
Polka Italienne | La Sinfónica Clásica | E♭ Major | 2 | 5B | 126 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Glenn Gould, Leopold Stokowski, American Symphony Orchestra | B Major | 0 | 1B | 61 BPM | ||
Play Piano Play (10 Übungsstücke für Yuko): VI. Presto possibile | Glenn Gould, Friedrich Gulda, Sasha Grynyuk | B♭ Minor | 3 | 3A | 152 BPM | ||
Symphony No. 1, "Afro-American": I. Longing (Moderato assai) | William Grant Still, Fort Smith Symphony, John Jeter | A♭ Major | 0 | 4B | 81 BPM | ||
Danzón No. 2: Danzon No. 2 (Live) | Arturo Márquez, Singapore Symphony Orchestra, Lan Shui | D Minor | 2 | 7A | 107 BPM |