Arturo Márquez, Singapore Symphony Orchestra, Lan Shui's 'Danzón No. 2: Danzon No. 2 (Live)' came out on February 28, 2004. Since Danzón No. 2: Danzon No. 2 (Live) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Stucky: Dreamwaltzes / Chen: Duo Ye / Kilar: Krzesany". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Danzón No. 2: Danzon No. 2 (Live) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Danzón No. 2: Danzon No. 2 (Live) by Arturo Márquez, Singapore Symphony Orchestra, Lan Shui having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Candide: Overture | Leonard Bernstein, New York Philharmonic | E♭ Major | 4 | 5B | 82 BPM | ||
Navarra, Op. 33 | Pablo de Sarasate, Itzhak Perlman, David Garvey | A Major | 2 | 11B | 101 BPM | ||
Danzon No. 2 | Arturo Márquez, Local Brass Quintet | B♭ Minor | 2 | 3A | 101 BPM | ||
Tableaux de Provence (arr. for saxophone and orchestra): V. Lou Cabridan | Paule Maurice, Claude Delangle, Singapore Symphony Orchestra, Lan Shui | G Major | 1 | 9B | 150 BPM | ||
Máscaras: IV. La pasión según Marcos | Arturo Márquez, Ina Zdorovetchi, Portland Symphony Orchestra, Eckart Preu | E Minor | 3 | 9A | 79 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Praeludium and Allegro | Fritz Kreisler, Joshua Bell, Paul Coker | E Minor | 2 | 9A | 103 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Trumpet Concerto: I. Allegro | Henri Tomasi, Ole Edvard Antonsen, Orquestra Sinfônica do Estado de São Paulo, Lan Shui | F Major | 1 | 7B | 140 BPM | ||
The Butterfly Lovers, Concerto for Violin: III. Adagio Assai Doloroso | Sa Chen, Zhanhao He, Gil Shaham, Lan Shui, Singapore Symphony Orchestra | D♭ Minor | 0 | 12A | 86 BPM |
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