Selig sind die Toten, SWV 391
Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze
Geistliche Chor-Music 1648
4:33 October 2, 2020
BPM
166
Key
F♯ Major
Camelot
2B

Embed

Share Link

Selig sind die Toten, SWV 391 - Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze Information

Acousticness
94%
Danceability
10%
Energy
9%
Instrumentalness
72%
Liveness
7%
Loudness
67%
Speechiness
5%
Valence
5%
Popularity
Loudness
-19.836 dB

Summary

"Selig sind die Toten, SWV 391" by Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze was released on October 2, 2020. With this song being about 5 minutes long, at 4:33, "Selig sind die Toten, SWV 391" by Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake's "Geistliche Chor-Music 1648" album is number 15 out of 15. On top of that, Germany appears to be the country where this track was created. The popularity of Selig sind die Toten, SWV 391 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Selig sind die Toten, SWV 391 BPM

We consider the tempo marking of Selig sind die Toten, SWV 391 by Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze to be Vivace (lively and fast) because the track has a tempo of 166 BPM, a half-time of 83BPM, and a double-time of 332 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.

Selig sind die Toten, SWV 391 Key

This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Toccata prima del quinto tono (excerpt) by Claudio Merulo, Timothy RobertsToccata prima del quinto tono (excerpt)Claudio Merulo, Timothy RobertsF Major07B77 BPM
Three Sacred Hymns: I. Gegrüßet seist du, Jungfrau, Mutter Gottes by Alfred Schnittke, RIAS Kammerchor, Hans-Christoph RademannThree Sacred Hymns: I. Gegrüßet seist du, Jungfrau, Mutter GottesAlfred Schnittke, RIAS Kammerchor, Hans-Christoph RademannD Major110B74 BPM
Dum transisset Sabbatum by John Taverner, Choir of Clare College, Cambridge, Graham RossDum transisset SabbatumJohn Taverner, Choir of Clare College, Cambridge, Graham RossD Minor17A76 BPM
Cantiones sacræ, Op. 4, SWV 53-93: No. 6, Psalm Domine, ne in furore tuo arguas me, SWV 85 by Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias ViewegCantiones sacræ, Op. 4, SWV 53-93: No. 6, Psalm Domine, ne in furore tuo arguas me, SWV 85Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias ViewegG Minor26A117 BPM
Guerrero: Dios los extremos condena by A5 Vocal Ensemble, Francisco GuerreroGuerrero: Dios los extremos condenaA5 Vocal Ensemble, Francisco GuerreroG Minor16A126 BPM
All'imperio d'Amore: 7. Ineffabile ardore a 6 All'imperio d'Amore: 7. Ineffabile ardore a 6 "Il rapimento di Cefalo"Giulio Caccini, Ensemble Pygmalion, Raphael Pichon, Deborah Cachet, Zachary Wilder, Lucile Richardot, Davy Cornillot, Virgile Ancely, Maïlys De VilloutreysB♭ Major36B103 BPM
Miserere in G Minor, HocJ C1.23: I. Miserere, 1. Miserere mei Deus by Niccolò Jommelli, Il Gardellino, Peter Van HeyghenMiserere in G Minor, HocJ C1.23: I. Miserere, 1. Miserere mei DeusNiccolò Jommelli, Il Gardellino, Peter Van HeyghenB Minor010A140 BPM
Il Primo Libro de Madrigali, Op. 1, SWV 1-19: O dolcezze amarissime, SWV 2 by Heinrich Schütz, Les Arts Florissants, Paul Agnew, Miriam Allan, Hannah Morrison, Mathilde Ortscheidt, Jonathan SellsIl Primo Libro de Madrigali, Op. 1, SWV 1-19: O dolcezze amarissime, SWV 2Heinrich Schütz, Les Arts Florissants, Paul Agnew, Miriam Allan, Hannah Morrison, Mathilde Ortscheidt, Jonathan SellsG Minor16A144 BPM
Missa ex B: XI. Credo - Live at Melk Abbey, 5/30/2004 by Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto KarglMissa ex B: XI. Credo - Live at Melk Abbey, 5/30/2004Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto KarglB♭ Major36B86 BPM
All'imperio d'Amore: 3. Ineffabile ardore a 6 All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo"Giulio Caccini, Ensemble Pygmalion, Raphael PichonF Major27B62 BPM
ISRC
DEAC61903015
Label
L-M Records/RCA Records

Section: 0.6086406707763672

End: 0.6149928569793701