"Selig sind die Toten, SWV 391" by Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze was released on October 2, 2020. With this song being about 5 minutes long, at 4:33, "Selig sind die Toten, SWV 391" by Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake's "Geistliche Chor-Music 1648" album is number 15 out of 15. On top of that, Germany appears to be the country where this track was created. The popularity of Selig sind die Toten, SWV 391 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Selig sind die Toten, SWV 391 by Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze to be Vivace (lively and fast) because the track has a tempo of 166 BPM, a half-time of 83BPM, and a double-time of 332 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toccata prima del quinto tono (excerpt) | Claudio Merulo, Timothy Roberts | F Major | 0 | 7B | 77 BPM | ||
Three Sacred Hymns: I. Gegrüßet seist du, Jungfrau, Mutter Gottes | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | D Major | 1 | 10B | 74 BPM | ||
Dum transisset Sabbatum | John Taverner, Choir of Clare College, Cambridge, Graham Ross | D Minor | 1 | 7A | 76 BPM | ||
Cantiones sacræ, Op. 4, SWV 53-93: No. 6, Psalm Domine, ne in furore tuo arguas me, SWV 85 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias Vieweg | G Minor | 2 | 6A | 117 BPM | ||
Guerrero: Dios los extremos condena | A5 Vocal Ensemble, Francisco Guerrero | G Minor | 1 | 6A | 126 BPM | ||
All'imperio d'Amore: 7. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon, Deborah Cachet, Zachary Wilder, Lucile Richardot, Davy Cornillot, Virgile Ancely, Maïlys De Villoutreys | B♭ Major | 3 | 6B | 103 BPM | ||
Miserere in G Minor, HocJ C1.23: I. Miserere, 1. Miserere mei Deus | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | B Minor | 0 | 10A | 140 BPM | ||
Il Primo Libro de Madrigali, Op. 1, SWV 1-19: O dolcezze amarissime, SWV 2 | Heinrich Schütz, Les Arts Florissants, Paul Agnew, Miriam Allan, Hannah Morrison, Mathilde Ortscheidt, Jonathan Sells | G Minor | 1 | 6A | 144 BPM | ||
Missa ex B: XI. Credo - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 3 | 6B | 86 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM |
Section: 0.6086406707763672
End: 0.6149928569793701