"Die Bekehrte" by Hugo Wolf, Dawn Upshaw was released on September 13, 2005. The duration of Die Bekehrte is about 3 minutes long, at 3:08. Based on our data, "Die Bekehrte" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Richard Goode's "Goethe Lieder" album is number 16 out of 18. On top of that, United States appears to be the country where this track was created. Die Bekehrte is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Bekehrte by Hugo Wolf, Dawn Upshaw to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Humperdinck : Hänsel und Gretel : Act 3 "Der kleine Taumann heiss ich" [The Dew Fairy] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 1 | 10B | 92 BPM | ||
Elias, Op. 70: Part I: Introduction - so wahr der Herr, der Gott Israels, lebt (Rec.) | Felix Mendelssohn, Karl-Friedrich Beringer | C Major | 1 | 8B | 104 BPM | ||
Petite messe solennelle: XVII. O salutaris | Gioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | G Major | 0 | 9B | 103 BPM | ||
Stabat Mater, Op. 58: IX. Inflammatus et accensus (Andante maestoso) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Michaela Selinger | G Major | 1 | 9B | 92 BPM | ||
Mörike-Lieder: No. 28, Gebet | Hugo Wolf, Elly Ameling, Dalton Baldwin | B♭ Minor | 0 | 3A | 135 BPM | ||
Pulcinella - Ballet avec chante: Mentre l'erbetta pasce l'agnella - 2001 Digital Remaster | Igor Stravinsky, Sir Neville Marriner, Academy of St. Martin in the Fields, Yvonne Kenny, Robert Tear, Robert Lloyd | B♭ Major | 0 | 6B | 121 BPM | ||
Litanies à la Vierge noire, FP 82 | Francis Poulenc, Ensemble Aedes, Louis-Noël Bestion de Camboulas, Mathieu Romano | A Major | 1 | 11B | 81 BPM | ||
Myrthen, Op. 25: No. 1, Widmung | Felicity Lott, Graham Johnson | A♭ Major | 1 | 4B | 113 BPM | ||
Hébé, Op. 2 No. 6 | Ernest Chausson, Axel Bauni, Stella Doufexis | A Minor | 0 | 8A | 85 BPM | ||
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM |
Section: 0.9868936538696289
End: 0.9909462928771973