Trumpet Tune from King Arthur - Henry Purcell, Wynton Marsalis, Raymond Leppard, English Chamber Orchestra Information

Acousticness: 95%
Danceability: 45%
Energy: 17%
Instrumentalness: 95%
Liveness: 10%
Loudness: 72%
Speechiness: 13%
Valence: 78%
Popularity: 7%
Loudness: -16.941 dB

Summary

Henry Purcell, Wynton Marsalis, Raymond Leppard, English Chamber Orchestra made "Trumpet Tune from King Arthur" available on 1983. With Trumpet Tune from King Arthur being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 39 in the song's album "The Essential Wynton Marsalis". In this album, this song's track order is #6. Trumpet Tune from King Arthur is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Trumpet Tune from King Arthur BPM

With Trumpet Tune from King Arthur by Henry Purcell, Wynton Marsalis, Raymond Leppard, English Chamber Orchestra having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Trumpet Tune from King Arthur Key

This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Oboe Concerto in B-Flat Major, Op. 9, No. 11: III. Allegro	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	B♭ Major	3	6B	114 BPM
Semele, HWV 58 / Act 3: Sinfonia: Apollo Come	George Frideric Handel, English Chamber Orchestra, John Nelson	F Major	1	7B	102 BPM
Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante	Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon	A Minor	1	8A	99 BPM
Concerto for 2 Trumpets, Strings & Continuo in C Major, RV 537: I. Allegro	Antonio Vivaldi, Maurice André, Mauritz Sillem, English Chamber Orchestra, Sir Charles Mackerras	A Major	2	11B	102 BPM
Concerto a 5 in C Major, Op. 9, No. 9: II. Adagio (non troppo)	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	A Minor	2	8A	66 BPM
Intermedes de Xerxes: Bourre pour les Basques	Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon	F♯ Major	1	2B	140 BPM
Sonata à 5 for Trumpet and Strings, T.V.3	Giuseppe Torelli, Wynton Marsalis, Raymond Leppard	A Major	3	11B	110 BPM
Sonata a 5 in D Major: IV. (Allegro)	Giuseppe Torelli, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf	D♭ Major	2	3B	105 BPM
Eternal Source of Light Divine (Ode for the Birthday of Queen Anne, HWV 74) (with The Orchestra of St. Luke's) - Voice	George Frideric Handel, Wynton Marsalis, Kathleen Battle, Orchestra of St. Luke's, John Nelson	C Major	1	8B	65 BPM
Les plaisirs: Air pour le Vieillard et sa Famille	Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon	D♭ Major	0	3B	118 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6467790603637695

End: 0.6499159336090088