"Four Motets, Op. 133: III. Laudate Dominum" by Josef Rheinberger, Charles Bruffy, Phoenix Bach Choir, Kansas City Chorale was released on October 1, 2007. The duration of Four Motets, Op. 133: III. Laudate Dominum is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Four Motets, Op. 133: III. Laudate Dominum's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Rheinberger: Oster-Hymne, Vier sechsstimmige Motetten & Mass". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Four Motets, Op. 133: III. Laudate Dominum is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Four Motets, Op. 133: III. Laudate Dominum by Josef Rheinberger, Charles Bruffy, Phoenix Bach Choir, Kansas City Chorale having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Whilst Great Is Our Poverty | Cyrillus Kreek, Traditional, Anna-Liisa Eller, Angela Ambrosini, Marco Ambrosini, Vox Clamantis, Jaan-Eik Tulve | D♭ Major | 1 | 3B | 76 BPM | ||
Thou knowest Lord | Henry Purcell, Choir of Clare College, Cambridge, Timothy Brown | B♭ Major | 0 | 6B | 135 BPM | ||
4 Gesange, Op. 17: Es tont ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 1 | 8B | 111 BPM | ||
Les Chansons des roses: No. 2. Contre qui, rose | Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt | B♭ Minor | 0 | 3A | 77 BPM | ||
Ave Generosa | Ola Gjeilo, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Brahms: Geistliches lied Op. 30 | St. Albans Cathedral Choir, Simon Johnson | E♭ Major | 1 | 5B | 70 BPM | ||
Magnificat, W. E22: Et misericordia eius (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Burial service: I heard a voice from heaven | William Croft, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | B♭ Minor | 1 | 3A | 69 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 49, Aria. "Aus Liebe will mein Heiland sterben" | Johann Sebastian Bach, Ton Koopman, Barbara Schlick, Amsterdam Baroque Orchestra | A Major | 2 | 11B | 112 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Kyrie | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | D♭ Major | 3 | 3B | 163 BPM |
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