"Psalm 96 - "O Sing Unto The Lord A New Song"" by Charles Villiers Stanford, Choir of St. John's College, Cambridge, John Scott, George Guest was released on November 30, 1978. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Psalms of Consolation and Hope". In this album, this song's track order is #5. In terms of popularity, Psalm 96 - "O Sing Unto The Lord A New Song" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 96 - "O Sing Unto The Lord A New Song" by Charles Villiers Stanford, Choir of St. John's College, Cambridge, John Scott, George Guest having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romanzen, Book 2, Op. 91: No. 5. Der Bleicherin Nachtlied | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
3 Intermezzi, Op. 13: No. 2. Allegro agitato | Charles Villiers Stanford, Robert Plane, Benjamin Frith | D Minor | 1 | 7A | 167 BPM | ||
Kheruvimskaya pesnya (Cherubic Hymn) | Pyotr Ilyich Tchaikovsky, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 0 | 9A | 82 BPM | ||
Beauty for Ashes | Bob Chilcott, The Elysian Singers, Sam Laughton, Mark Brafield | B♭ Major | 1 | 6B | 61 BPM | ||
There We Shall Rest | Kim André Arnesen, Kantorei, Joel Rinsema | F Major | 1 | 7B | 81 BPM | ||
Making or Breaking | Kim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel Rinsema | D Major | 1 | 10B | 90 BPM | ||
Der 13. Psalm, Op. 27 | Johannes Brahms, MDR Leipzig Radio Chorus, Wolf-Dieter Hauschild | G Major | 1 | 9B | 93 BPM | ||
The Call (From 'Five Mystical Songs') (Arr. Harry D Bennett) | Ralph Vaughan Williams, Apollo5 | F Minor | 0 | 4A | 73 BPM | ||
Geistliche Chormusik: Die Himmel erzählen die Ehre Gottes, SWV 386 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | C Major | 1 | 8B | 143 BPM | ||
6 Elizabethan Pastorales, Set 1, Op. 49: No. 2. Corydon, arise! | Charles Villiers Stanford, Birmingham Conservatoire Chamber Choir, Paul Spicer | E Major | 2 | 12B | 80 BPM |
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