"Erlebach: Kommt, ihr Stunden, macht mich frei" by Philipp Heinrich Erlebach, Christina Pluhar, Philippe Jaroussky, L'Arpeggiata was released on October 5, 2018. Since Erlebach: Kommt, ihr Stunden, macht mich frei is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Christina Pluhar's "Himmelsmusik" album is number 8 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Erlebach: Kommt, ihr Stunden, macht mich frei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Erlebach: Kommt, ihr Stunden, macht mich frei by Philipp Heinrich Erlebach, Christina Pluhar, Philippe Jaroussky, L'Arpeggiata to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Paschalis, ZWV 7: Kyrie. Christe eleison | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Terry Wey | A♭ Major | 1 | 4B | 105 BPM | ||
Beatus vir, ZWV 75: Gloria Patri - After Psalm 111 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 1 | 1A | 103 BPM | ||
A Collection of Old Scots Tunes: Lochaber | Francesco Barsanti, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Chamber Sonata No. 2 in C Minor: II. Vivace | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 2 | 11A | 125 BPM | ||
Violin Sonata in E Minor, Op. 6 No. 9: V. Minuet | Giovanni Mossi, Augusta McKay Lodge, Doug Balliett, Adam Cockerham, Elliot Figg | E♭ Minor | 1 | 2A | 61 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: I. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Ouverture VI in G minor: Gavotte | Philipp Heinrich Erlebach, Altberg Ensemble, Jörg-Andreas Bötticher | B Major | 3 | 1B | 181 BPM | ||
Ich fahre auf zu meinem Vater, TWV 1:825: III. Aria "Ich kann getrost im Tode sein" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, Viola Blache | F♯ Major | 2 | 2B | 137 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: IV. Courante | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Concerto Pour Basson, Deux Violons, Alto Et Basse Continue En Si Bémol Majeur, GWV 340: II. Affetuoso | Christoph Graupner, Mathieu Lussier, Natalie Michaud, Geneviève Soly, Les idées heureuses | E Major | 0 | 12B | 64 BPM |
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