"Rigoletto / Act 2: "Ella mi fu rapita"" by Giuseppe Verdi, Neil Shicoff, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli was released on January 1, 1985. The duration of Rigoletto / Act 2: "Ella mi fu rapita" is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Rigoletto / Act 2: "Ella mi fu rapita"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Rigoletto - highlights by Giuseppe Verdi, Neil Shicoff, Renato Bruson, Edita Gruberova, Brigitte Fassbaender, William Matteuzzi, Geoffrey Moses, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli. The song's track number on the album is #7 out of 15 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Rigoletto / Act 2: "Ella mi fu rapita" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rigoletto / Act 2: "Ella mi fu rapita" by Giuseppe Verdi, Neil Shicoff, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Rigoletto / Act 2: "Ella mi fu rapita" being at 89 BPM, the half-time would be 44 BPM with a double-time of 178 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | C Major | 2 | 8B | 90 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Ferne von ihr - Ach, ihres Auges Zauberblick / Lunge da lei - De' miei bollenti spiriti - La Traviata, Alfredo, 2. Akt;1988 Remastered Version | Francesco Maria Piave, Giuseppe Verdi, Josef Traxel | E♭ Major | 2 | 5B | 76 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
Rigoletto / Act 3: "La donna è mobile" | Giuseppe Verdi, Neil Shicoff, Renato Bruson, Robert Lloyd, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | A Major | 2 | 11B | 115 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony Bramall | D Minor | 0 | 7A | 77 BPM | ||
Tosca: Act III: O dolci mani mansuete e pure (Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | ||
The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied | Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment | G Major | 1 | 9B | 86 BPM |
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