Giuseppe Verdi, Peter Brocklehurst's 'Brindisi (The Drinking Song)' came out on March 5, 2004. The duration of Brindisi (The Drinking Song) is about 3 minutes long, at 3:19. Based on our data, "Brindisi (The Drinking Song)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 18 in For You by Peter Brocklehurst. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. In terms of popularity, Brindisi (The Drinking Song) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Brindisi (The Drinking Song) by Giuseppe Verdi, Peter Brocklehurst is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dick's Maggot (from Suite of English Folk Dances) | Ernest Tomlinson, Iain Sutherland Concert Orchestra, Iain Sutherland | B♭ Major | 2 | 6B | 184 BPM | ||
Mancini / Arr Schifrin: A Tribute to Hollywood Part 2: Breakfast at Tiffany's - Moon River | Henry Mancini, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | E♭ Major | 2 | 5B | 96 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.9 Wedding March | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | C Major | 2 | 8B | 74 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Radetzky March Op. 228 | Riccardo Muti, Wiener Philharmoniker | A Major | 5 | 11B | 106 BPM | ||
The Merry Widow, Act II: Vilja-Lied | Franz Lehár, Viktor Léon, Leo Stein, Adrian Ross, Vladimir Karmirski, Melbourne Symphony Orchestra, Yvonne Kenny | G Major | 2 | 9B | 80 BPM | ||
Orpheus in the Underworld: Cancan | Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker | D Major | 6 | 10B | 152 BPM | ||
The Merry Widow Waltz | Ian Whitcomb, The White Star Orchestra | G Major | 2 | 9B | 160 BPM | ||
Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM | ||
Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Les Toréadors | Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | D Minor | 4 | 7A | 119 BPM |
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