Giacomo Puccini, Maria Callas, Tito Gobbi, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata's 'Puccini: Tosca, Act 2 Scene 5: "Come tu mi odi!" (Scarpia, Tosca)' came out on 1953. With Puccini: Tosca, Act 2 Scene 5: "Come tu mi odi!" (Scarpia, Tosca) being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Puccini : Tosca". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Puccini: Tosca, Act 2 Scene 5: "Come tu mi odi!" (Scarpia, Tosca) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Tosca, Act 2 Scene 5: "Come tu mi odi!" (Scarpia, Tosca) by Giacomo Puccini, Maria Callas, Tito Gobbi, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: Il barbiere di Siviglia, Act 2: Recitativo. "Ah! barbiere d'inferno" (Bartolo, Basilio) | Gioachino Rossini, James Levine, Renato Capecchi, Ruggero Raimondi, London Symphony Orchestra | G Major | 2 | 9B | 117 BPM | ||
Carmen (1997 - Remaster), Act II: Messieurs, Pastia me dit | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Major | 1 | 10B | 134 BPM | ||
Cavalleria rusticana: "O lola ch'ai di latti la cammisa" (Siciliana) | Pietro Mascagni, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Minor | 0 | 4A | 167 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 2: Vanne, e li cela entrambi (Norma/Clotilde) | Vincenzo Bellini, Maria Callas, Edda Vincenzi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | A Minor | 0 | 8A | 80 BPM | ||
Ponchielli: La Gioconda, Act 2: "Stella del marinar!" (Laura) | Amilcare Ponchielli, Fiorenza Cossotto, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano | D Major | 3 | 10B | 105 BPM | ||
Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | ||
Il Barbiere di Siviglia: Ah! qual colpo inaspettato! - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Minor | 0 | 7A | 106 BPM | ||
Gianni Schicchi: Dunque era vero! (Simone/La Ciesca/Marco/Betto/Nella/Zita/Rinuccio/Gheraldo) | Giacomo Puccini, Felicity Palmer/Roberto Alagna/Paolo Barbacini/Patrizia Ciofi/Carlos Chausson/Luigi Roni/Roberto Scaltriti/Elena Zilio/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra | A♭ Major | 3 | 4B | 79 BPM | ||
La Bohème / Act 4: "Gavotta" | Giacomo Puccini, Nicolai Ghiaurov, Rolando Panerai, Gianni Maffeo, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | D Major | 4 | 10B | 86 BPM | ||
Ponchielli: La Gioconda, Act 2: "Vedi là, nel canal morto" (Gioconda, Enzo, Chorus) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Pier Miranda Ferraro | F Major | 4 | 7B | 97 BPM |
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