"Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Limpid Stream)" by Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky was released on October 6, 2004. With Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Limpid Stream) being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Shostakovich: Ballet Suites Nos. 1-4". In this album, this song's track order is #17. In terms of popularity, Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Limpid Stream) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Limpid Stream) by Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Leonard Slatkin, St. Louis Symphony | B Minor | 1 | 10A | 134 BPM | ||
Vallflickans Dance (Dance of the Shepherdess from the ballet-pantomime Bergakungen, Op. 37) | Hugo Alfvén, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra | G Major | 1 | 9B | 147 BPM | ||
Thais Ballet Music: III. Presto vivace | Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick Gallois | A Major | 1 | 11B | 107 BPM | ||
La Tragédie de Salomé, Op. 50: I. Prélude | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 17. — | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 172 BPM | ||
Chamber Symphony in F Major, Op. 73a (Arr. R. Barshai): III. Allegro non troppo | Rudolf Barshai, Dmitri Shostakovich, Kyiv Virtuosi, Dmitry Yablonsky | C Minor | 0 | 5A | 98 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 44: I. Adagio ma non troppo | Max Bruch, Maxim Fedotov, Russian Philharmonic Orchestra, Dmitry Yablonsky | D Major | 3 | 10B | 116 BPM | ||
Sarasate: Carmen Fantasy, Op. 25 (After Bizet): I. Moderato | Pablo de Sarasate, Augustin Hadelich, Cristian Măcelaru, WDR Sinfonieorchester | A Minor | 1 | 8A | 120 BPM | ||
Gaîté Parisienne: Ouverture (d'après La vie parisienne) | Jacques Offenbach, Fabien Gabel, Orchestre Symphonique De Québec | E Major | 2 | 12B | 153 BPM | ||
Mini Hungarian 5 | Dick Walter, David Walter | F♯ Minor | 3 | 11A | 107 BPM |
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