Pablo de Sarasate, Augustin Hadelich, Cristian Măcelaru, WDR Sinfonieorchester's 'Sarasate: Carmen Fantasy, Op. 25 (After Bizet): I. Moderato' came out on August 26, 2022. The duration of Sarasate: Carmen Fantasy, Op. 25 (After Bizet): I. Moderato is about 3 minutes long, at 3:12. Based on our data, "Sarasate: Carmen Fantasy, Op. 25 (After Bizet): I. Moderato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Recuerdos". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Sarasate: Carmen Fantasy, Op. 25 (After Bizet): I. Moderato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sarasate: Carmen Fantasy, Op. 25 (After Bizet): I. Moderato by Pablo de Sarasate, Augustin Hadelich, Cristian Măcelaru, WDR Sinfonieorchester having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berceuse, Op. 16 | Gabriel Fauré, Tanguy de Williencourt, Théotime Langlois de Swarte | D Major | 0 | 10B | 90 BPM | ||
Romance in F for Viola & Orchestra, Op.85 | Max Bruch, Janine Jansen, Gewandhausorchester Leipzig, Riccardo Chailly | F Major | 1 | 7B | 99 BPM | ||
Oboe Concerto in C Major - Arr. Benjamin: 4. Allegro giusto | Domenico Cimarosa, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | C Major | 1 | 8B | 108 BPM | ||
Six Morceaux, VWV 3003: II. Bohémienne (Arr. for Cello & Orchestra by Julian Riem) | Pauline Viardot, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | C Major | 2 | 8B | 119 BPM | ||
Vivaldi: Concerto for Two Trumpets in C Major, RV 537: II. Largo | Antonio Vivaldi, Sir Neville Marriner, Bernard Soustrot, Maurice André, Academy of St. Martin in the Fields | C Major | 0 | 8B | 99 BPM | ||
Concerto In G Minor R439 Op.10 No.2 "La Notte": 3. Il sonno. Largo - Allegro | Antonio Vivaldi, Andreas Blau, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 124 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
7 Chansons grises: V. L'Heure exquise | Reynaldo Hahn, Tanguy de Williencourt, Théotime Langlois de Swarte | E Major | 0 | 12B | 112 BPM | ||
Introit, Op. 6 | Gerald Finzi, Thomas Gould, Aurora Orchestra, Nicholas Collon | F Major | 1 | 7B | 96 BPM | ||
Fauré / Arr. Auber: Fantaisie, Op. 79 | Gabriel Fauré, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | C Major | 1 | 8B | 75 BPM |
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