"7 Chansons grises: V. L'Heure exquise" by Reynaldo Hahn, Tanguy de Williencourt, Théotime Langlois de Swarte was released on March 19, 2021. With 7 Chansons grises: V. L'Heure exquise being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 13 in A concert at the time of Proust by Tanguy de Williencourt, Théotime Langlois de Swarte. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, 7 Chansons grises: V. L'Heure exquise is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 7 Chansons grises: V. L'Heure exquise by Reynaldo Hahn, Tanguy de Williencourt, Théotime Langlois de Swarte is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les enfants terribles - Arr. for Piano duet by Michael Riesman: 1. Overture | Philip Glass, Katia & Marielle Labèque | E♭ Major | 4 | 5B | 64 BPM | ||
Violin Sonata in G Minor: II. Courante | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | F♯ Minor | 2 | 11A | 156 BPM | ||
Violin Sonata in G Minor: I. Grave | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | F♯ Minor | 0 | 11A | 75 BPM | ||
6 Lieder, Op. 57: 5. Venetianisches Gondellied, MWV K114 | Felix Mendelssohn, Harriet Krijgh, Magda Amara | B Minor | 1 | 10A | 86 BPM | ||
Harmonies des bois, Op. 76: No. 2 Les Larmes de Jacqueline | Jacques Offenbach, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | C Major | 0 | 8B | 65 BPM | ||
Mazurek | Władysław Szpilman, Yulianna Avdeeva | B Minor | 1 | 10A | 83 BPM | ||
Beethoven: Violin Concerto, Op. 61 in D Major: III. Rondo allegro | Ludwig van Beethoven, Midori, Daniel Dodds, Lucerne Festival Strings | D Major | 1 | 10B | 88 BPM | ||
Nessun dorma (From "Turandot") | Giacomo Puccini, Gautier Capuçon, Johanna Malangré, Orchestre national de Bretagne | D♭ Minor | 0 | 12A | 112 BPM | ||
Nocturnes, Op. 9: II. Andante (Arr. for Cello & Piano by Julian Riem) | Frédéric Chopin, Olga Scheps, Raphaela Gromes | E♭ Major | 1 | 5B | 170 BPM | ||
Dvořák: Rusalka, Op. 114, B. 203, Act 1: Song to the Moon | Antonín Dvořák, Edgar Moreau, Jérémie Moreau | F♯ Major | 0 | 2B | 138 BPM |
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