Flute Sonata in E Major, BWV 1035: IV. Allegro assai
Johann Sebastian Bach, Verena Fischer, Léon Berben
Bach: Die Authentischen Flötensonaten
3:02 July 30, 2013
BPM
119
Key
A♭ Minor
Camelot
1A

Embed

Share Link

Flute Sonata in E Major, BWV 1035: IV. Allegro assai - Johann Sebastian Bach, Verena Fischer, Léon Berben Information

Acousticness
99%
Danceability
55%
Energy
5%
Instrumentalness
89%
Liveness
13%
Loudness
54%
Speechiness
8%
Valence
87%
Popularity
Loudness
-27.527 dB

Summary

On July 30, 2013, the song "Flute Sonata in E Major, BWV 1035: IV. Allegro assai" was released by Johann Sebastian Bach, Verena Fischer, Léon Berben. The duration of Flute Sonata in E Major, BWV 1035: IV. Allegro assai is about 3 minutes long, at 3:02. Based on our data, "Flute Sonata in E Major, BWV 1035: IV. Allegro assai" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 18 in Bach: Die Authentischen Flötensonaten by Johann Sebastian Bach, Verena Fischer. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Flute Sonata in E Major, BWV 1035: IV. Allegro assai is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Flute Sonata in E Major, BWV 1035: IV. Allegro assai BPM

The tempo marking of Flute Sonata in E Major, BWV 1035: IV. Allegro assai by Johann Sebastian Bach, Verena Fischer, Léon Berben is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.

Flute Sonata in E Major, BWV 1035: IV. Allegro assai Key

This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Kinderszenen, Op. 15: 7. Träumerei by Robert Schumann, Alfred BrendelKinderszenen, Op. 15: 7. TräumereiRobert Schumann, Alfred BrendelF Major07B135 BPM
Symphony No. 2 in A Major, Op. 2, Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto AllegroWilliam Boyce, Aradia Ensemble, Kevin MallonA♭ Major14B181 BPM
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 by Sergei Rachmaninoff, Pablo Ferrandez, Denis KozhukhinZdes' khorosho ('How Fair This Spot'), Op. 21, No. 7Sergei Rachmaninoff, Pablo Ferrandez, Denis KozhukhinA Major011B87 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits by Christoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraOrpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed SpiritsChristoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraD Minor17A67 BPM
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonLe bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et ArlequinsJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonF♯ Major02B0 BPM
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen by Clara Schumann, Anneleen Lenaerts, Dionysis GrammenosSchumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragenClara Schumann, Anneleen Lenaerts, Dionysis GrammenosA♭ Major04B71 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne by Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville MarrinerPelléas et Mélisande, Op.80: 3. SicilienneGabriel Fauré, Academy of St. Martin in the Fields, Sir Neville MarrinerG Minor06A111 BPM
Wir müssen durch viel Trübsal, BWV 146: Sinfonia by Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerWir müssen durch viel Trübsal, BWV 146: SinfoniaJohann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerD Major010B102 BPM
The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) by Camille Saint-Saëns, Yo-Yo Ma, Kathryn StottThe Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano)Camille Saint-Saëns, Yo-Yo Ma, Kathryn StottG Major09B66 BPM
Melodie From Melodie From "Orfeo ed Euridice", Wq. 30 (Arr. Giovanni Sgambati)Christoph Willibald Gluck, Hélène GrimaudD Minor07A70 BPM
ISRC
DEU921242411
Label
L-M Records/RCA Records

Section: 0.6045315265655518

End: 0.6074943542480469