"Die Loreley, S. 273 (Arr. Solo Piano by Ganz) - Duo-Art 7114" by Franz Liszt, Rudolph Ganz, Peter Phillips was released on May 22, 2024. Since Die Loreley, S. 273 (Arr. Solo Piano by Ganz) - Duo-Art 7114 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 18 in Die Loreley. Piano Music by Beethoven, Liszt and Scriabin by Ferruccio Busoni, Franz Liszt, Ludwig van Beethoven, Ernest Gillet, Alexander Scriabin. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Die Loreley, S. 273 (Arr. Solo Piano by Ganz) - Duo-Art 7114 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die Loreley, S. 273 (Arr. Solo Piano by Ganz) - Duo-Art 7114 by Franz Liszt, Rudolph Ganz, Peter Phillips is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deux Arabesques, L66: No. 1: Andantino con moto | Claude Debussy, Kathryn Stott | E Major | 0 | 12B | 73 BPM | ||
Schwanengesang, D. 957: Ständchen "Leise flehen meine Lieder" | Franz Schubert, Mischa Maisky, Daria Hovora | D Minor | 0 | 7A | 179 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM | ||
Waltz No. 19 in A minor, Op. posth. | Frédéric Chopin, Peter Jablonski | A Minor | 0 | 8A | 69 BPM | ||
Le Carnaval de Venise, S. 700 | Franz Liszt, Goran Filipec | E Major | 0 | 12B | 68 BPM | ||
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
Consolation No. 3, S. 172 in D-Flat Major - Duo-Art 6547 | Franz Liszt, Ernest Hutcheson, Peter Phillips | F♯ Major | 0 | 2B | 70 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM |
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