"Etude No.2 for French horn and strings: Largo - Allegro - Moderato" by Luigi Cherubini, Barry Tuckwell, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 1995. Etude No.2 for French horn and strings: Largo - Allegro - Moderato is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. There are a total of 24 in the song's album "Rossini: 6 String Sonatas/Donizetti/Cherubini/Bellini". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Etude No.2 for French horn and strings: Largo - Allegro - Moderato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Etude No.2 for French horn and strings: Largo - Allegro - Moderato by Luigi Cherubini, Barry Tuckwell, Academy of St. Martin in the Fields, Sir Neville Marriner having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in C Minor: V. Sanctus | Luigi Cherubini, Francis Bardot, Maîtrise des Hauts-de-Seine, Ensemble National Français, Odile Perceau | F Major | 2 | 7B | 87 BPM | ||
Stabat Mater: Fac ut portem Christi mortem | Agostino Steffani, Cecilia Bartoli, Franco Fagioli, Julian Prégardian, I Barocchisti, Diego Fasolis | C Minor | 3 | 5A | 75 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Stabat Mater: I. Stabat Mater dolorosa | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | D♭ Major | 1 | 3B | 126 BPM | ||
Music For The Royal Fireworks: Suite HWV 351: 1. Ouverture | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 4 | 3B | 136 BPM | ||
Oedipus: Music For A While, Z583 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E Minor | 1 | 9A | 85 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM |
Section: 0.7831218242645264
End: 0.7865734100341797