"Verdi: Messa da Requiem: XI. Lacrymosa" by Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano was released on January 1, 1987. Verdi: Messa da Requiem: XI. Lacrymosa is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. This song is part of Verdi: Messa da Requiem by Giuseppe Verdi, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano. The song's track number on the album is #11 out of 19 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Verdi: Messa da Requiem: XI. Lacrymosa is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Messa da Requiem: XI. Lacrymosa by Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Verdi: Messa da Requiem: XI. Lacrymosa being at 114 BPM, the half-time would be 57 BPM with a double-time of 228 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bizet: Carmen, WD 31, Act 1 Scene 4: No. 5a, Air et Choeur, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 101 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | F Major | 3 | 7B | 171 BPM | ||
Rigoletto / Act 1: Ch'io gli parli | Giuseppe Verdi, Plácido Domingo, Walter Gullino, Piero Cappuccilli, Luigi De Corato, Dirk Sagemüller, Kurt Moll, Wiener Philharmoniker, Carlo Maria Giulini, Vienna State Opera Chorus | D♭ Major | 2 | 3B | 74 BPM | ||
Il Barbiere di Siviglia: Mi par d'esser con la testa - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | F♯ Major | 5 | 2B | 86 BPM | ||
Tannhäuser - Paris version / Act III: O du, mein holder Abendstern | Richard Wagner, Andreas Schmidt, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 0 | 9B | 71 BPM | ||
Norma / Act 1: Ah! bello a me ritorna | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 2 | 7B | 78 BPM | ||
Il Barbiere di Siviglia: Orsù, signor Don Bartolo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | B Major | 3 | 1B | 86 BPM | ||
Symphony No. 2 in C Minor "Resurrection" / 4: "Urlicht": Sehr feierlich, aber schlicht - "O Röslein rot" | Gustav Mahler, Cheryl Studer, Waltraud Meier, Wiener Philharmoniker, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner | E♭ Major | 4 | 5B | 124 BPM | ||
Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM | ||
Gounod: Faust, CG 4, Act 5 Scene 6: No. 31, Trio-Finale, "Alerte, alerte, ou vous êtes perdus" (Méphistophélès, Marguerite, Faust) - No. 32, Apothéose "Sauvée! Christ est ressuscité" (Choeur) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Major | 0 | 10B | 84 BPM |
Section: 0.6307170391082764
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