Gustav Mahler, Cheryl Studer, Waltraud Meier, Wiener Philharmoniker, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner's 'Symphony No. 2 in C Minor "Resurrection" / 4: "Urlicht": Sehr feierlich, aber schlicht - "O Röslein rot"' came out on January 1, 1994. With this song being about 5 minutes long, at 5:27, "Symphony No. 2 in C Minor "Resurrection" / 4: "Urlicht": Sehr feierlich, aber schlicht - "O Röslein rot"" by Gustav Mahler, Cheryl Studer, Waltraud Meier, Wiener Philharmoniker, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Gustav Mahler, Wiener Philharmoniker, Claudio Abbado's "Mahler: Symphony No. 2 "Resurrection"" album is number 4 out of 25. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Symphony No. 2 in C Minor "Resurrection" / 4: "Urlicht": Sehr feierlich, aber schlicht - "O Röslein rot"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony No. 2 in C Minor "Resurrection" / 4: "Urlicht": Sehr feierlich, aber schlicht - "O Röslein rot" by Gustav Mahler, Cheryl Studer, Waltraud Meier, Wiener Philharmoniker, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, Op.80: 6. Molto adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 0 | 7A | 82 BPM | ||
Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 2: Dir, der Unberührbaren - Du schwebst zu Höhen | Gustav Mahler, Leah Crocetto, Los Angeles Master Chorale, Pacific Chorale, Los Angeles Philharmonic, Gustavo Dudamel | E Major | 2 | 12B | 76 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, David Zinman | C Major | 0 | 8B | 73 BPM | ||
Bruch: Scottish Fantasy, Op. 46: I. (a) Introduction. Grave | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | ||
Pictures At An Exhibition: The Tuileries Gardens | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Minor | 0 | 2A | 105 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Eugen Jochum | G Minor | 0 | 6A | 172 BPM | ||
Symphony No. 1 in D Major "Titan": II. Kraftig bewegt, doch nicht zu schnell | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | E♭ Minor | 2 | 2A | 113 BPM | ||
Kinderszenen, Op.15: 13. Der Dichter spricht | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 169 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brio | Gustav Holst, Ulster Orchestra, Joann Falletta | F Major | 1 | 7B | 104 BPM |
Section: 0.5963485240936279
End: 0.599855899810791