The Creation, Hob. XXI:2: Pt. II, No.15: Auf starkem Fittiche schwinget sich der Adler stolz (Gabriel) [On mighty pens uplifted soars the eagle aloft]
Franz Joseph Haydn, Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, Christine Wehler, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering
Haydn: Die Schöpfung
7:26 April 1, 2005
BPM
133
Key
C Major
Camelot
8B

Embed

Share Link

The Creation, Hob. XXI:2: Pt. II, No.15: Auf starkem Fittiche schwinget sich der Adler stolz (Gabriel) [On mighty pens uplifted soars the eagle aloft] - Franz Joseph Haydn, Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, Christine Wehler, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering Information

Acousticness
97%
Danceability
36%
Energy
4%
Instrumentalness
0%
Liveness
11%
Loudness
60%
Speechiness
5%
Valence
12%
Popularity
Loudness
-23.827 dB

Summary

"The Creation, Hob. XXI:2: Pt. II, No.15: Auf starkem Fittiche schwinget sich der Adler stolz (Gabriel) [On mighty pens uplifted soars the eagle aloft]" by Franz Joseph Haydn, Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, Christine Wehler, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering was released on April 1, 2005. Since The Creation, Hob. XXI:2: Pt. II, No.15: Auf starkem Fittiche schwinget sich der Adler stolz (Gabriel) [On mighty pens uplifted soars the eagle aloft] is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Joseph Haydn, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering's "Haydn: Die Schöpfung" album is number 16 out of 32. Based on our statistics, The Creation, Hob. XXI:2: Pt. II, No.15: Auf starkem Fittiche schwinget sich der Adler stolz (Gabriel) [On mighty pens uplifted soars the eagle aloft]'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Creation, Hob. XXI:2: Pt. II, No.15: Auf starkem Fittiche schwinget sich der Adler stolz (Gabriel) [On mighty pens uplifted soars the eagle aloft] BPM

We consider the tempo marking of The Creation, Hob. XXI:2: Pt. II, No.15: Auf starkem Fittiche schwinget sich der Adler stolz (Gabriel) [On mighty pens uplifted soars the eagle aloft] by Franz Joseph Haydn, Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, Christine Wehler, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

The Creation, Hob. XXI:2: Pt. II, No.15: Auf starkem Fittiche schwinget sich der Adler stolz (Gabriel) [On mighty pens uplifted soars the eagle aloft] Key

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro by Johann Christian Bach, Concerto KölnSymphony in G Minor, Op. 6, No. 6, W. C12: I. AllegroJohann Christian Bach, Concerto KölnF♯ Minor111A87 BPM
Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: III. Allegro assai by Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der GoltzViolin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: III. Allegro assaiJohann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der GoltzE♭ Major35B99 BPM
Missa in angustiis Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Agnus Dei: Dona nobis pacemFranz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin DavisD Major210B128 BPM
Flute Trio No. 1 in C Major, Hob. IV:1: III. Finale. Vivace by Unknown, Franz Joseph Haydn, Jean-Pierre RampalFlute Trio No. 1 in C Major, Hob. IV:1: III. Finale. VivaceUnknown, Franz Joseph Haydn, Jean-Pierre RampalC Major28B151 BPM
Concerto No. 4 in G major, BWV 1049: I. Allegro by Johann Sebastian Bach, Freiburger BarockorchesterConcerto No. 4 in G major, BWV 1049: I. AllegroJohann Sebastian Bach, Freiburger BarockorchesterF Major27B99 BPM
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer by Anton Bruckner, Wiener Philharmoniker, Herbert von KarajanSymphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamerAnton Bruckner, Wiener Philharmoniker, Herbert von KarajanF Major27B74 BPM
Keyboard Sonatina In F Major, Op. 36, No. 4: II. Andante Con Espressione by Muzio Clementi, Balazs SzokolayKeyboard Sonatina In F Major, Op. 36, No. 4: II. Andante Con EspressioneMuzio Clementi, Balazs SzokolayB♭ Major16B132 BPM
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio by Tomaso Albinoni, Anthony Camden, London Virtuosi, John GeorgiadisOboe Concerto in G Minor, Op. 9, No. 8: II. AdagioTomaso Albinoni, Anthony Camden, London Virtuosi, John GeorgiadisB♭ Major16B89 BPM
Symphonie concertante in D Major, Symphonie concertante in D Major, "Mirza": I. AllegroFrancois-Joseph Gossec, Martin Sandhoff, Andrea Keller, Concerto KölnD Major110B161 BPM
Overture (Suite) No. 2 in B Minor, BWV 1067: V. Polonaise - Double by Johann Sebastian Bach, Akademie für Alte Musik BerlinOverture (Suite) No. 2 in B Minor, BWV 1067: V. Polonaise - DoubleJohann Sebastian Bach, Akademie für Alte Musik BerlinB♭ Minor03A125 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5707199573516846

End: 0.5760776996612549