Johann Sebastian Bach, Akademie für Alte Musik Berlin, Stephan Mai made "Die Kunst der Fuge, BWV 1080: Contrapunctus 9. Doppelfuge über eine neues Thema und über das Hauptthema, a 4" available on January 11, 2011. The duration of Die Kunst der Fuge, BWV 1080: Contrapunctus 9. Doppelfuge über eine neues Thema und über das Hauptthema, a 4 is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Die Kunst der Fuge, BWV 1080: Contrapunctus 9. Doppelfuge über eine neues Thema und über das Hauptthema, a 4's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 21 in Bach: Die Kunst der Fuge by Tha Trickaz, Creaky Jackals, Gregorio Allegri, A Sei Voci, Johann Sebastian Bach, Akademie für Alte Musik Berlin. In terms of popularity, Die Kunst der Fuge, BWV 1080: Contrapunctus 9. Doppelfuge über eine neues Thema und über das Hauptthema, a 4 is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Die Kunst der Fuge, BWV 1080: Contrapunctus 9. Doppelfuge über eine neues Thema und über das Hauptthema, a 4 by Johann Sebastian Bach, Akademie für Alte Musik Berlin, Stephan Mai is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | ||
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM | ||
Nocturne No.6 In G Minor, Op.15 No.3 | Frédéric Chopin, Maurizio Pollini | D Minor | 0 | 7A | 105 BPM | ||
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio | Franz Schubert, Alexandre Tharaud, Jean-Guihen Queyras | E Major | 0 | 12B | 91 BPM | ||
The Seasons, Op. 37b: X. October (Autumn Song) | Pyotr Ilyich Tchaikovsky, Khatia Buniatishvili | D Minor | 0 | 7A | 78 BPM | ||
Concerto for two Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Leila Schayegh, Anaïs Chen, Jörg Halubek, Il Gusto Barocco | D Minor | 1 | 7A | 104 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Christine Pichlmeier, Lisa Stewart, Cologne Chamber Orchestra, Helmut Muller-Bruhl | F♯ Major | 1 | 2B | 141 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
Christmas Oratorio, BWV 248/1: Bereite dich, Zion (Alto) | Johann Sebastian Bach, Christian Friedrich Henrici, Marianne Beate Kielland, Alfredo Bernardini, Barokkanerne | F Major | 2 | 7B | 81 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM |
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