Jenö Takács, Attila Szabó, Camerata De Budapest made "Serenade nach Alt-Grazer Kontratanzen: No. 6. Bagppipe" available on July 15, 2014. The duration of Serenade nach Alt-Grazer Kontratanzen: No. 6. Bagppipe is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Serenade nach Alt-Grazer Kontratanzen: No. 6. Bagppipe's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Takacs: Postcard Greetings / American Rhapsody / Serenade / Passacaglia". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hungary. Based on our statistics, Serenade nach Alt-Grazer Kontratanzen: No. 6. Bagppipe's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Serenade nach Alt-Grazer Kontratanzen: No. 6. Bagppipe by Jenö Takács, Attila Szabó, Camerata De Budapest having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltzes, Op. 64: No. 1 in D-Flat Major, B. 164 "Minute Waltz" (Arr. for Cello Quartet by Piotr Moss) | Frédéric Chopin, Polish Cello Quartet | A♭ Major | 1 | 4B | 105 BPM | ||
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
Epigrammak (Epigrams) (arr. L. Lencses): No. 1. Lento | Lajos Lencsés, Zoltán Kodály, Budapest Strings | A♭ Major | 1 | 4B | 96 BPM | ||
Concerto for Cello and Wind Orchestra: II. Romance | Jacques Ibert, Ernst Simon Glaser, Norwegian Navy Band Bergen, Peter Szilvay | A Minor | 0 | 8A | 82 BPM | ||
Piano Concerto No. 4 "Air": I. - | Christian Schittenhelm, Svetlana Andreeva, Royal Scottish National Orchestra, Sergey Neller | C Minor | 2 | 5A | 117 BPM | ||
Concertino für Tuba und Klavier: I. Bewegt | Joseph Bartz, Hans Tönnies | E♭ Major | 0 | 5B | 94 BPM | ||
Fugue in G Major | Markolyno | D Minor | 0 | 7A | 110 BPM | ||
4 Short Pieces, Op. 6: No. 1, Prelude. Non troppo allegro | Howard Ferguson, John Finucane, Elisaveta Blumina | A Minor | 0 | 8A | 51 BPM | ||
Miniature 4-Rotary Trumpet in C | David Pérez | G Minor | 2 | 6A | 74 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM |
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