Frédéric Chopin, Polish Cello Quartet made "Waltzes, Op. 64: No. 1 in D-Flat Major, B. 164 "Minute Waltz" (Arr. for Cello Quartet by Piotr Moss)" available on January 5, 2024. The duration of Waltzes, Op. 64: No. 1 in D-Flat Major, B. 164 "Minute Waltz" (Arr. for Cello Quartet by Piotr Moss) is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Waltzes, Op. 64: No. 1 in D-Flat Major, B. 164 "Minute Waltz" (Arr. for Cello Quartet by Piotr Moss)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 15 in Chopin Project by Frédéric Chopin, Polish Cello Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from Poland. In terms of popularity, Waltzes, Op. 64: No. 1 in D-Flat Major, B. 164 "Minute Waltz" (Arr. for Cello Quartet by Piotr Moss) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Waltzes, Op. 64: No. 1 in D-Flat Major, B. 164 "Minute Waltz" (Arr. for Cello Quartet by Piotr Moss) by Frédéric Chopin, Polish Cello Quartet is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Pezzi facili: No. 2. Serenata | Nino Rota, Mario Carbotta, Carlo Balzaretti | G Major | 2 | 9B | 101 BPM | ||
Songs of Travel (Version for Cello & Piano): No. 1, The Vagabond | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
Say: Cello Sonata, Op. 41 "Four Cities": I. Sivas | Fazıl Say, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
String Quartet No. 1 in G Major, Op. 58: II. Strimpellata. Mosso e spensierato | Mario Castelnuovo-Tedesco, Quartetto Adorno | A Major | 2 | 11B | 160 BPM | ||
Reynolda Reflections: Songs to the Wind | Dan Locklair, Melissa Suhr, Steve Estes, Robert Brewer, Joseph White | C Minor | 1 | 5A | 135 BPM | ||
Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 13, Die Post | Franz Schubert, Josephine Knight, Simon Crawford-Phillips, Timothy Jones | E Major | 0 | 12B | 115 BPM | ||
Trio for Piano, Oboe & Bassoon, FP 43: III. Rondo | Francis Poulenc, Mark Bebbington, Jonathan Davies, John Roberts, Jan Latham-Koenig, Royal Philharmonic Orchestra | A Minor | 1 | 8A | 81 BPM | ||
Mendelssohn: Sonata in F Major, MWV Q26: III. Assai vivace | Felix Mendelssohn, Emmanuel Pahud, Eric Le Sage | F Major | 2 | 7B | 152 BPM | ||
II. Intermezzo | Morton Feldman, Marilyn Nonken, Stephen Marotto | B♭ Minor | 0 | 3A | 164 BPM | ||
Notturno | Halfdan Kjerulf, G. Zanger, Kerava Quartet | C Major | 0 | 8B | 70 BPM |
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