Matthäus-Passion, BWV 244 / Erster Teil: No. 12 "Wiewohl mein Herz in Tränen schwimmt" - Johann Sebastian Bach, Barbara Bonney, English Baroque Soloists, John Eliot Gardiner Information

Acousticness: 98%
Danceability: 22%
Energy: 3%
Instrumentalness: 57%
Liveness: 20%
Loudness: 53%
Speechiness: 5%
Valence: 4%
Popularity: 17%
Loudness: -28.024 dB

Summary

"Matthäus-Passion, BWV 244 / Erster Teil: No. 12 "Wiewohl mein Herz in Tränen schwimmt"" by Johann Sebastian Bach, Barbara Bonney, English Baroque Soloists, John Eliot Gardiner was released on January 1, 1989. With Matthäus-Passion, BWV 244 / Erster Teil: No. 12 "Wiewohl mein Herz in Tränen schwimmt" being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 68 in Bach, J.S.: St. Matthew Passion, BWV 244 by Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Matthäus-Passion, BWV 244 / Erster Teil: No. 12 "Wiewohl mein Herz in Tränen schwimmt" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Matthäus-Passion, BWV 244 / Erster Teil: No. 12 "Wiewohl mein Herz in Tränen schwimmt" BPM

The tempo marking of Matthäus-Passion, BWV 244 / Erster Teil: No. 12 "Wiewohl mein Herz in Tränen schwimmt" by Johann Sebastian Bach, Barbara Bonney, English Baroque Soloists, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Matthäus-Passion, BWV 244 / Erster Teil: No. 12 "Wiewohl mein Herz in Tränen schwimmt" Key

This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 36 "Und der Hohepriester antwortete"	Johann Sebastian Bach, Anthony Rolfe Johnson, Cornelius Hauptmann, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir	B Major	1	1B	95 BPM
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 33 "Und wiewohl viel falsche Zeugen herzutraten"	Johann Sebastian Bach, Anthony Rolfe Johnson, Michael Chance, Howard Crook, Cornelius Hauptmann, English Baroque Soloists, John Eliot Gardiner	F♯ Minor	1	11A	99 BPM
Te Deum, H. 146: Te Deum, H. 146: VIII. Dignare Domine	Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, Bernard Deletré, William Christie	D♭ Major	0	3B	76 BPM
The Fairy Queen, Z. 629 / Act 1: Song In Two Parts: "Come, come, come, let us leave"	Henry Purcell, Eiddwen Harrhy, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner	F♯ Major	1	2B	135 BPM
Wer ist der, so von Edom kömmt BWV 1167: I. No. 19 Herr Jesu Christ, wahr' Mensch und Gott, BWV 127/1 (Variante)	Carl Heinrich Graun, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki	E♭ Minor	2	2A	74 BPM
St. John Passion, BWV 245: Part II: Recitative: Die Kriegsknechte aber (Evangelist) - Lasset uns den nicht zerteilen (Chorus) – Recitative: Auf dass erfullet wurde die Schrift (Evangelist, Jesus)	Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner	D♭ Major	2	3B	126 BPM
I. Herz Und Mund Und Tat Und Leben BWV 147, Prima Parte, 1. Coro: Herz Und Mund Und Tat Und Leben	Pieter Jan Leusink, Holland Boys Choir, Netherlands Bach Collegium, Susan Williams, Peter Frankenberg, Eduard Wesley, Bas Ramselaar, Johann Sebastian Bach, Sytse Buwalda, Knut Schoch, Ruth Holton	B Major	3	1B	90 BPM
Matthäus Passion, Prima Parte: 8. Aria (Soprano): Blute Nur, Du Liebes Herz!	Stephen Cleobury, Johann Sebastian Bach, Rogers Covey-Crump, David Thomas, Martyn Hill, Choir of King's College, Cambridge, Michael George, Michael Chance, Emma Kirkby	B♭ Minor	0	3A	135 BPM
II. Der Himmel Lacht! Die Erde Jubilieret BWV 31, 2. Coro: Der Himmel Lacht! Die Erde Jubilieret	Holland Boys Choir, Netherlands Bach Collegium, Eduard Wesley, Frank Anepool, Hendrik Jan Houtsma, Johann Sebastian Bach, Ruth Holton, Vincent Van Ballegooien, Sytse Buwalda, Bas Ramselaar, Nico Van Der Meel, Frank Aarnink, Susan Williams, Pieter Jan Leusink	B Major	4	1B	183 BPM
Fantasia And Fugue In A Minor, BWV 904 : Fugue	Janos Sebestyen, Johann Sebastian Bach	A Minor	3	8A	132 BPM

ISRC: DEF058831141
Label: L-M Records/RCA Records

Section: 0.6230623722076416

End: 0.6267614364624023