- BPM
- 173
- Key
- B Major
- Camelot
- 1B
A Song of Divine Love: II. Pursuance - Lee Santana Information
- Acousticness
- 90%
- Danceability
- 52%
- Energy
- 5%
- Instrumentalness
- 36%
- Liveness
- 4%
- Loudness
- 57%
- Speechiness
- 5%
- Valence
- 59%
- Popularity
- 0%
- Loudness
- -25.753 dB
Summary
Lee Santana made "A Song of Divine Love: II. Pursuance" available on August 7, 2015. A Song of Divine Love: II. Pursuance appears to be safe for all ages as it is not explicit. The song is number 5 out of 12 in A Song of Divine Love by Lee Santana. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of A Song of Divine Love: II. Pursuance is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
A Song of Divine Love: II. Pursuance BPM
The tempo marking of A Song of Divine Love: II. Pursuance by Lee Santana is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
A Song of Divine Love: II. Pursuance Key
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sacrae symphoniae: Canzon septimi et octavi toni a 12 (arr. E. Crees for brass) | Giovanni Gabrieli, Eric Crees, London Symphony Brass | C Major | 1 | 8B | 92 BPM | |
 | Der schmerzensreiche Rosenkranz: No. 7 in F Major, Christi Geißelung | Heinrich Ignaz Franz von Biber, Daniel Sepec, Hille Perl, Lee Santana, Michael Behringer | F♯ Minor | 0 | 11A | 107 BPM | |
 | Volte (III) | Jan Pieterszoon Sweelinck, Lee Santana | D Minor | 0 | 7A | 83 BPM | |
 | Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | |
 | Tallis: Spem in Alium - 3. Respice | The Tallis Scholars, Peter Phillips | B Minor | 1 | 10A | 140 BPM | |
 | Pensose el villano | Francisco de Salinas, Andreas Wahl, Music from the Acoustic Neighbourhood, Lee Santana, Marthe Perl, Antje Rux | F♯ Major | 1 | 2B | 119 BPM | |
 | Missa Papae Marcelli: 1. Kyrie | Giovanni Pierluigi da Palestrina, Sistine Chapel Choir, Massimo Palombella | A Major | 2 | 11B | 130 BPM | |
 | Allemande 4 - 1557 | Claude Gervaise, Ensemble Doulce Mémoire | G Minor | 2 | 6A | 117 BPM | |
 | Kali-Ma: V. No. 5 | Lee Santana, Hille Perl | F♯ Major | 5 | 2B | 81 BPM | |
 | Abdelazer, Z.570: 2. Rondeau | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 97 BPM |
- ISRC
- DEE471500251
- Label
- L-M Records/RCA Records
Section: 0.5746598243713379
End: 0.5780119895935059