"Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Ho capito, signor sì!"" by Wolfgang Amadeus Mozart, Konstantin Wolff, Mahler Chamber Orchestra, Yannick Nézet-Séguin was released on January 1, 2012. With Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Ho capito, signor sì!" being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Luca Pisaroni, Diana Damrau, Joyce DiDonato, Rolando Villazón, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin's "Mozart: Don Giovanni" album is number 11 out of 53. On top of that, Germany appears to be the country where this track was created. Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Ho capito, signor sì!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Ho capito, signor sì!" by Wolfgang Amadeus Mozart, Konstantin Wolff, Mahler Chamber Orchestra, Yannick Nézet-Séguin to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Verwegener Alter | Ludwig van Beethoven, Falk Struckmann, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Le nozze di Figaro, K.492 / Act 1: "Cinque... dieci... venti..." | Wolfgang Amadeus Mozart, Bryn Terfel, Alison Hagley, English Baroque Soloists, John Eliot Gardiner | D Major | 1 | 10B | 135 BPM | ||
Così fan tutte, K. 588 / Act II: "Fra gli amplessi in pochi istanti" | Wolfgang Amadeus Mozart, Miah Persson, Rolando Villazón, Chamber Orchestra of Europe, Yannick Nézet-Séguin | B♭ Major | 0 | 6B | 72 BPM | ||
Die Zauberflöte, K. 620, Act I No. 8: Finale - Zum Ziele fuhrt dich diese Bahn | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | D Major | 2 | 10B | 82 BPM | ||
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Da bin ich schon, mein Engel! (dialogue: Papagena, Papageno, Erster Priester) | Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch | C Minor | 4 | 5A | 99 BPM | ||
Ecco quel fiero istante, WoO 124 | Ludwig van Beethoven, Pietro Metastasio, Yannick Nézet-Séguin, David DQ Lee | A♭ Major | 0 | 4B | 83 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Hat man nicht aud Gold beineben | Ludwig van Beethoven, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Die Zauberflöte, K.620, Act II: Heil dir, Jüngling! (Zwei Priester, Papageno, Monostatos) | Wolfgang Amadeus Mozart, Waldemar Kmentt/Erich Kunz/Wolfgang Brendel/Heinz Zednik/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | C Minor | 1 | 5A | 130 BPM | ||
The Magic Flute, Act I: Hm! hm! hm! hm! | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Simon Keenlyside, Barry Banks, Majella Cullagh, Sarah Fox, Diana Montague | E♭ Major | 2 | 5B | 131 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Dunque io son (Figaro/Rosina) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | G Major | 2 | 9B | 120 BPM |
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