Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Simon Keenlyside, Barry Banks, Majella Cullagh, Sarah Fox, Diana Montague's 'The Magic Flute, Act I: Hm! hm! hm! hm!' came out on March 1, 2005. The Magic Flute, Act I: Hm! hm! hm! hm! is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Barry Banks, Elizabeth Vidal, Rebecca Evans, Simon Keenlyside, John Tomlinson, Leslie Garrett's "Mozart: The Magic Flute" album is number 6 out of 42. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Magic Flute, Act I: Hm! hm! hm! hm!'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Magic Flute, Act I: Hm! hm! hm! hm! by Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Simon Keenlyside, Barry Banks, Majella Cullagh, Sarah Fox, Diana Montague to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grande Messe des Morts: XI. Sequentia: Recordare - Largo | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | F Minor | 1 | 4A | 73 BPM | ||
Le nozze di Figaro, K. 492 / Act 1: "Via resti servita" - "Va là, vecchia pedante" | Wolfgang Amadeus Mozart, Jane Berbié, Lucia Popp, Frederica von Stade, London Philharmonic Orchestra, Sir Georg Solti | A Major | 1 | 11B | 132 BPM | ||
Messe pour le sacre de Napoléon: III. Gloria, Laudamus te | Giovanni Paisiello, Sandrine Piau, Chantal Santon Jeffery, Éléonore Pancrazi, Mathias Vidal, Thomas Dolie, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | D Major | 2 | 10B | 76 BPM | ||
The Creation, Hob.XXI,2: Pt. 1, With Verdure Clad the Fields Appear Delightful | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Harry Christophers | B♭ Major | 1 | 6B | 120 BPM | ||
Elijah, Op. 70: "The Lord Hath Exalted Thee" (Recitative & Chorus) | Felix Mendelssohn, Simon Keenlyside, Sarah Connolly, Paul McCreesh | B♭ Major | 2 | 6B | 72 BPM | ||
La Sonnanbula - Prendi, l'anel ti dono | Vincenzo Bellini, Roberto Alagna, Evelino Pidò, London Philharmonic Orchestra | A♭ Major | 1 | 4B | 82 BPM | ||
Das Paradies und die Peri, Op. 50, Erster Teil: No. 5 So sann sie nach | Robert Schumann, London Symphony Orchestra, Florian Boesch, Kate Royal, Bernarda Fink, Andrew Staples, Sir Simon Rattle, Mark Padmore | G Major | 1 | 9B | 142 BPM | ||
Charpentier: Te Deum, H. 146: XI. Fiat misericordia | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, Dawn Upshaw, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 15, Air. "On Mighty Pens Uplifted" (Gabriel) | Joseph Haydn, Arleen Augér/City of Birmingham Symphony Orchestra/Sir Simon Rattle, Arleen Auger, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | F Major | 0 | 7B | 64 BPM | ||
Così fan tutte, K. 588: Act 1: Sestetto "Alla Bella Despinetta" - Recitativo "Che Sussurro!" | Wolfgang Amadeus Mozart, Concerto Köln, René Jacobs, Pietro Spagnoli, Werner Güra, Marcel Boone, Véronique Gens, Bernarda Fink, Graciela Oddone | C Major | 2 | 8B | 128 BPM |
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